A Quote by Katherine Moennig
I think my comparison with Shane would be a loner. I always got the impression that she wasn't scared to be alone. She enjoys it. I can relate to that.
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I liked the way my character, Shane, was first introduced. You get introduced to her through this sexual action, and I thought that was so cool and just kind of summed up what she enjoys and who she is, to a certain extent. She's a complete sexual being and the great thing is that she doesn't apologize for it. It's just who she is. We rarely see women be able to do that on television.
I believe in Amy Winehouse. I know she’s not with us anymore but I believe she was who she was and in that way she got it right. I would say an actress like Lauren Bacall also got it right. She never let anyone persuade her to be something she wasn't. She was strong. She always looked like she knew what she was doing.
Dena had always been a loner. She did not feel connected to anything. Or anybody. She felt as if everybody else had come into the world with a set of instructions about how to live and someone had forgotten to give them to her. She had no clue what she was supposed to feel, so she had spent her life faking at being a human being, with no idea how other people felt. What was it like to really love someone? To really fit in or belong somewhere? She was quick, and a good mimic, so she learned at an early age to give the impression of a normal, happy girl, but inside she had always been lonely.
She often had to remind herself that she couldn't do everything alone. She wasn't always the best person for the job. Sometimes she got tunnel vision and forgot about what other people needed.
She keeps asking me where we're going." "Yeah," another voice said. It was Shane, pulling up a chair beside Claire. "Girls do that. They've always got to be taking the relationship somewhere." "That's not true!" "It is," he said. "I get it; somebody's got to be looking ahead. But it makes guys think they're-" "Closed in," Michael said. "Trapped," Shane added. "Idiots," Claire finished.
So she became impulsive, scared by her inaction into perpetual action. When the Eagle confronted her with the expulsion, maybe she blurted out Marya's name because it was the first that came to mind, because in that moment she didn't want to get expelled and she couldn't think past that moment. She was scared, sure. But more importantly, maybe she'd been scared of being paralyzed by fear again. ~Miles/Pudge on Alaska, pg 120-121
She’s not… She’s not datin’ the skeleton, is she? How would that be even possible, let alone… nice? He’s got no skin, or lips, or… or nothin’.
When today's young woman says she isn't a feminist what she means is she isn't a lesbian and she doesn't hate men, she likes to wear make-up and she enjoys a laugh. In which she is no different from many an early feminist.
She was staring at you.’’ ‘‘What can I say? Irresistible.’’ ‘‘Shane, it’s not funny. I just—you should be careful.’’ ‘‘Always am.’’ Which was an absolute lie. Shane’s eyes fixed on hers, and she felt a burst of heat inside that crept up to burn in her cheeks. He smiled slowly. ‘‘Jealous?’’ ‘‘Maybe.’’ ‘‘No reason. I like my ladies with a pulse.
My mom was always keen I stayed in school and got good grades, and she was always keen for me to do medicine. I used to go to drama classes when I was younger, and she would always take me. But when I got to an age when I decided it was what I wanted to do, when she accepted it, she had actually been the most supportive person ever.
She was obviously useful at the UN because she had a public persona before she ever got there. She was well known. She was a spokeswoman for many important things. When she got there, what she said was paid attention to, undoubtedly much more than would have been if just Joe Blow had been made our representative to the United Nations. In that sense, I think it was useful to have her there.
I like Madonna a lot. I think she's really good and I think she's a good singer. I think she looks good and she's got a nice kind of... I don't think she's got a sinister or cynical vibe around her, and I don't think she's got any sort of bullshit around her.
Moana is such an amazing character. She's brave; she is so empowered. She knows what she wants, and she's not afraid to get it, and I think that's something that I can relate to as well. I just love watching how she goes along in this wonderful movie and grows as a person and helps her culture along the way.
I say, 'Yeah, Taylor Swift.' I think she is a smart, beautiful girl. I think she's making all the right moves. She's got a good head on her shoulders. She's surrounded with wonderful people. Her songs are great. She keeps herself anchored. She knows who she is, and she's living and standing by that.
That was a general impression that one got, that she [Eleanor Roosevelt] was always flitting around the country and descending on some place in the Ozarks that she decided was disadvantaged, and announcing that something had to be done. And she had a very active social conscience, which I think in general is to her credit, although it tended, as many people thought, to just be overdone to the point where it gave rise to this crack that she regarded the whole world as one vast slum project
The certainty that she would find what it was she sought just slipped away, until one night she knew there was nothing, no one waiting for her. That no matter how far she walked, how carefully she searched, how much she wanted to find the person she was looking for, she was alone" - The Forgotten Garden
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