A Quote by Katherine Paterson
You never know ahead of time what something's really going to be like.
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Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
When I get a script, I try to create something and where we're going to go with a scene, because I don't know what we're going to see ahead, which is really cool.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
I think that tri [to Ram Bahadur Bomjon] was the first time I'd even seen something that made me think, or really feel: "Ah, I don't know what's really going on in the world - I think I do, and it feels like I do, but whatever is really going on is, de facto, beyond the scope of my comprehension - the best we can do is look for hints." I'd known that intellectually before but that was the first time I really believed it viscerally.
I'm always good at seeing five, ten steps ahead. Like, really thinking ahead, you know? Reverse engineering, whatever it is, you know.
My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.
In my lyrics, I used to always state two years ahead. I did that to make it seem like we were ahead of our time - a time capsule almost. It had never been done before.
You never really know what's going to happen. You never know what the audience is going to be like or how they're going to behave.
You never quite know what you're going to come back to and figure out how to make it work. You never quite know where that desire to finish something, or return to something in a fresh way, is going to come from. Every time I finished a film and went back and looked at it, I had changed as a person.
The Olympics was really, really stressful because I had never done anything like it. At the same time, I was understanding something like that could never really happen again. I embraced it and took in everything.
Often I visualize a quicker, like almost a ghost runner, ahead of me with a quicker stride. It's really crazy. In races, this always happens to me. I see the vision of a runner ahead of me, maybe just 15, 20 meters ahead of me, and the cadence of that runner, which is actually me in the future, is a little quicker, so if I'm going (his rhythm/breathing), then my ghost runner, the vision of me, ahead of me, like opening up and just going for it, is quicker .
At the end of the day it's going to hurt your feelings if someone says something mean about you, but I've learned to take a step back and ask myself if it's really going to affect me, if this person who I'm never going to know or meet doesn't like me - and it doesn't.
The future has never been something that I've been able to plan. Every time I try - I don't care if it's three or four days ahead or a week ahead - it just doesn't pan out.
I never plan ahead, with the exception of the Amber books which had to proceed in sequence. But I don't really like to know what I'm going to be working on a year in advance. So I just sign blank contracts for books and whatever strikes me as a good idea is what I write about.
If you have fame, you never feel that you have fame, if you have the brains of a flea. Because fame is something that's over back of you. It ain't ahead.... Not ahead at all. I mean, if you've done it that's great, but "what are you going to do now?" is the only thing that matters.
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