A Quote by Katherine Paterson

As I look back on what I have written, I can see that the very persons who have taken away my time are those who have given me something to say. — © Katherine Paterson
As I look back on what I have written, I can see that the very persons who have taken away my time are those who have given me something to say.
I'm one of those persons who think that watching black people suffer is not an idea of entertainment. I know a lot about African American history, which is just American history, it's always been very fascinating to me. The premise of the play is remembering and honoring those persons whose stories would never be taken into account.
I have a tremendous amount of gratitude to those who enjoyed my work. It's something we did together, because I must have given them something they liked, and we shared it, and everybody walked away a winner. That's truly the way I look at my time with the business.
It's very important that people realize: the air is being taken away, the oceans are being taken away, the room is being taken away, but we're so worried about gas prices that we don't even see this stuff.
You can see in my paintings, I've taken away the context, I've taken away the shadows, I've taken away expression, I've taken away the personal, and yet so much remains!
People who look for the first time through a microscope say, 'Now I see this, and then I see that,' and even a skilled observer can be fooled. On these observations I have spent more time than many will believe, but I have done them with joy, and I have taken no notice of those who have said, 'Why take so much trouble,' and, 'What good is it?'
Well, my wife doesn't engage. I mean if you want to look back, really dig down and be a journalist, look at the timelines and you will see that there is a big discrepancy and there really is no going back and forth, my wife sometimes I mean you eventually you have to say something, enough is enough, but the truth is she has always taken the high road.
There have been times when I've written something and it goes out and it comes back in a letter from some kid as to what they think about it and I've taken their analysis to heart so much that I have taken up his thing. Writing what my audience is telling me to write.
It's kind of like when you look at yourself in the mirror and you say your name. And it gets to a point where none of it seems real. Well, sometimes I can do that, but I don't need an hour in front of a mirror. It just happens very fast, and things start to slip away. And I just open my eyes, and I see nothing. And then I start to breathe really hard trying to see something, but I can't. It doesn't happen all the time, but when it does, it scares me.
Occasionally if I look back at something I've written I'll find one of those that I don't understand, but that's a bad thing - the unconscious has dealt me a bad hand.
Walden - all his books, indeed - are packed with subtle, conflicting, and very fruitful discoveries. They are not written to prove something in the end. They are written as the Indians turn down twigs to mark their path through the forest. He cuts his way through life as if no one had ever taken that road before, leaving these signs for those who come after, should they care to see which way he went.
I see possibilities in everything. For everything that's taken away, something of greater value has been given.
One thing I've learned in my career is that you don't have to answer people right away. I've learned how to say, "Can I get back to you about that?" Now I've given myself time to really assess what you asked me to do or what the situation is, think about it, then come up with a plan. Then by doing that, when I come back to you, it's not what I say it's how I say it.
It's a shock for me to go through and see all those years of painting my life, which is very personal for me. It's a very difficult thing for an artist to look back at his work.
You see what a poor sinner I am, and how unworthy to possess what was given me; for that reason it has been taken away.
So, some of the most difficult formal poems that I've written, say one sentence sonnets, I've been able to do those fairly quickly whereas some of the clearest, simplest lyrics that I've written have taken me the longest to get to the clarity of feeling that you're looking for.
I don't at least for me I don't ever really look for trends. I'm looking for just what captures my attention at that time and rarely do I ever look back and try and put together trends or say this kind of trend is important. For me it's about the individual expression and if you go back and look through the archives you might find certain things become trends, but it's just not something that particularly interests me.
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