A Quote by Katherine Paterson

I love writing for young adults because they are such a wonderful audience, they are good readers, and they care about the books they read. — © Katherine Paterson
I love writing for young adults because they are such a wonderful audience, they are good readers, and they care about the books they read.
I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
I love my job, and I love books. I read anything, including cereal boxes. I care deeply about what people think of my books, and I memorize my reviews. I love to hear from my readers.
I don't think too much about the audience when I'm writing... I'm aware that 'Holes' was read by kids as young as 8, up to adults.
I know that I'll be writing for young adults for a long time. Mostly because I just love the readers and the teachers and librarians that I interact with.
No one thinks that young adults read hooks for YOUNG ADULTS, books for young adults are read by kids.
It's 2014, and adults are still writing articles about whether other adults should read comic books or not.
The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers.
I wish that the adults who are 'in power' cared more about what their children read. Books are incredibly powerful when we are young - the books I read as a child have stayed with me my entire life - and yet, the people who write about books, for the most part, completely ignore children's literature.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
I've always wanted to be a part of that experience of writing to an audience that is just starting to fall in love with books. When I felt that my writing for adults had become cemented, I decided to write a YA series.
I enjoy writing for both kids and adults, though I think I'm better at children's stories because I was a teacher for so long, and I know that audience well. The process is no different whether I'm writing for children or adults. Really, the elements of making a good story are the same.
I've always been drawn to writing for young readers. The books that I read growing up remain in my mind very strongly.
What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
I primarily read fiction, and I read a good many wonderful books while writing 'The Visibles.'
I don't think you ever love anything as passionately as you do when you're a teen. You remember the books you read as a young person your whole life. I feel so lucky to write for young adults.
My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is.
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