A Quote by Katherine Paterson

It is always sad to write about prejudice, but sometimes when we see it being played out in the lives of fictional characters, we can recognize it in our own lives. — © Katherine Paterson
It is always sad to write about prejudice, but sometimes when we see it being played out in the lives of fictional characters, we can recognize it in our own lives.
If you look at television shows, which of course are fictional so you don't expect them to be real, but they're constantly showing career women who are also successful mothers and also look gorgeous. And we fall into believing that these fictional lives are somehow accurate depictions of what our real lives should be about.
It's really an honor when you're creating a fictional show that changes people's lives. That's what I love about this industry. There's always potential to do that to influence people's lives. I always felt a sense of responsibility to try to make that a positive experience.
I think a fictional invention grows according to its own development, not the author's. Characters in fiction are not simply as alive as you and me, they are more alive. Becky Sharp, Elizabeth Bennett, and Don Quixote may not outlive the burning out of the sun, but they will certainly outlive the brief candle of our lives.
Ultimately, any character you write - no matter how fantastic or alien - is an extension of yourself. When our characters reflect the truth of our souls and psyches, they become real and compelling. The wonderful paradox is that the characters then take on lives of their own, separate from their creators. That's where the magic comes in.
The kind of response I hope for when I write my novels for children: to give them a chance to recognize something of their own feelings -- about themselves, their parents, their friends -- and their own situation as a kind of subject race, always at the mercy of the adults who mostly run their lives for them.
We don't always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly--as if out of the sky, or as if there were a direct flight from Heaven to Earth--the same sudden way we lose people, who once seemed they would always be part of our lives
A lot of our songs are based in reality but imagined or using fictional characters as a way to write about something. I think inspiration comes from anything and everything, and it's filtered through our brains, and it comes out sounding like our band.
There is a foundation for our lives, a place in which our life rests. That place is nothing but the present moment, as we see, hear, experience what is. If we do not return to that place, we live our lives out of our heads. We blame others; we complain; we feel sorry for ourselves. All of these symptoms show that we're stuck in our thoughts. We're out of touch with the open space that is always right here.
We may not always recognize it, but government plays a bigger role in our lives than any other single person or institution. We spend nearly half of our lives working to pay for it. Children spend more time in government schools than they do with their parents. Birth, death, marriage, every area of our lives feels the influence of government.
One of the things that writing has taught me is that fiction has a life of its own. Fictional places are sometimes more real than the view from our bedroom window. Fictional people can sometimes become as close to us as our loved ones.
I think, as journalists, we sometimes are afraid to enter into the emotional lives and the complications of the lives of the people we write about - we don't really have the space and the room to deal with those things. But as a novelist, that's precisely what you're writing about.
Books can truly change our lives: the lives of those who read them, the lives of those who write them. Readers and writers alike discover things they never knew about the world and about themselves.
In many ways, it's easier to write a book. You have more latitude with structure, and you have the freedom to luxuriate within the internal lives and musings of your characters. But where a screenplay does not always demand great prose, a novel lives or dies by it.
I see the world as an adventure thriller and a voyage of discovery. To me, all lives are lives of mystery and secrecy, and that's what I write about.
However long, it's definitely the presence of other people that brings out the weirdness - that collision of your own way of being with the everyday lives of others, the abrupt awareness - always a surprise no matter how often it's happened - that their lives are very different from your own.
If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
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