A Quote by Katherine Ryan

When you're little, every experience writes on the canvas of who you are. — © Katherine Ryan
When you're little, every experience writes on the canvas of who you are.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
Keep this little canvas, it is a promise for the future. When I say 'keep this canvas,' I mean for the influence on yourself. When one does a good thing, it's well to keep it to show how foolish we are at other times.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
Every musician writes about past relationships. And other than that, I can promise you, I have very little in common with Taylor Swift.
Every canvas that can awaken us more exquisitely and accurately to the infinite and various surface of our experience does that much to sharpen life, and thereby render it more alive.
Experience is an author's most valuable asset; experience is the thing that puts the muscle and the breath and the warm blood into the book he writes.
With every experience, you alone are painting your own canvas, thought by thought, choice by choice.
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
If they keep exposing you to education, you might even realize some day that man becomes immortal only in what he writes on paper, or hacks into rock, or slabbers onto a canvas, or pulls out of a piano.
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes--in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer--you go to it in sorrow more than joy, for help, a road back to 'grace'.
A man who writes well writes not as others write, but as he himself writes; it is often in speaking badly that he speaks well.
You wind up creating from silence, like painting a picture on a blank canvas that could bring tears to somebody's eyes. As songwriters, our blank canvas is silence. Then we write a song from an idea that can change somebody's life. Songwriting is the closest thing to magic that we could ever experience. That's why I love songwriting.
Each day is a little life: every waking and rising a little birth, every fresh morning a little youth, every going to rest and sleep a little death.
Joseph [Millar] is much more disciplined than I am. He's up every morning meditating, then he writes, and he reads throughout the day. He probably reads ten books to my two and writes twice as much as I do.
Now the canvas is not just my country Pakistan, but now the canvas is the entire world. Now the canvas is the entire ummah (Muslim nation).
Every time you make a movie it's a new and different experience. You learn very little from the past. So, I'm a little bit better than I was when I first started.
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