A Quote by Katherine Ryan
I'm very careful not to tell a joke just to get a reaction.
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You can tell on-stage when a joke's starting to lose its pop. It doesn't mean people don't want to hear it anymore; it means I don't want to do it anymore. Because I want to move on to something that has a knee-jerk reaction just like you get when you tell somebody a joke that they've never heard.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
He [Reagan] likes to tell jokes and that's why he told the ethnic joke that got him into some trouble. Perhaps if reporters didn't overreact to a politician's telling the very same joke they routinely hear and tell in the city room, we'd get more humor.
I'm not a big one for jokes. I can't tell a joke, believe it or not. If you gave me a thousand bucks and said, "Don, get up at a party and tell a joke," I'm the worst.
The bad thing about being a famous comedian is that every now and then someone approaches me to tell an old joke. Don't tell me jokes - I have that. People also say the weirdest things, sometimes sarcastic things, and even evil things. They like to provoke to get a reaction.
I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
"I've learned what's funny verbally ain't so funny on e-mail: They don't hear your intonations. Melissa broke up with somebody over that. She tried to tell him: "That was a joke!" But he just didn't get it. Mick Jagger said, "F- 'em if they don't get the joke." And I love him. That comes with age: Knowing it's their problem, not mine."
Now, I want to explain something to you guys. I don't have an ending joke, because I don't tell jokes. I tell real-life stories and make them funny. So, I'm not like the average comedian. They have an ending joke; they always holler Peace! I'm out of here, and walk off stage. So, basically, when I get through performing on stage, I just walk off.
A comic strip has a rhythm and a pattern, and you got to get in and out quick. So you set up a joke, tell the joke, and done.
Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.
I couldn't possibly tell you. But I would say be very careful with your suppositions. People are so quick to jump. That's what I love about playing the character. People are so quick to draw conclusions about who he is. The whole thing about Loki is that he's dancing on this liminal line between redemption and destruction. Just be very careful about drawing conclusions based on what you see.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
A lot of the comedians don't even tell the joke. Like only three tell the joke, the rest of them dissect it.
I don't know how to tell a joke. I never tell jokes. I can tell stories that happened to me... anecdotes. But never a joke.
If I've got a black joke, and I can't tell it in Oakland, then I shouldn't tell the joke anywhere else.
I think you have to be careful. You have to know exactly what is going to resonate with voters. And you can't get ahead of that. You have to be very careful with your approach.
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