A Quote by Katherine Waterston
I look back at my adolescence, and Im shocked at the things I did that were my idea of adult behavior.
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I look back at my adolescence, and I'm shocked at the things I did that were my idea of adult behavior.
I'm not going to look back. 'Don't look back, something might be gaining on you.' I don't have anything specific in mind. I want to do what comes my way. No plans, no idea, I believe in things happening organically. Right now the plan is to wrap things up - we've got one more Abbie Hoffman Fest to put together - whatever happens after that is unknown. I'm not going to push anything beyond passive behavior.
My adolescence was quite miserable, when I look back on it, at least my early part of my adolescence. Because there was anti-Semitism in Peoria, and I didn't feel that when I was in elementary school.
I think it's almost necessary for most people to have the freedom to pull back, and then re-enter at an adult level, where they are neither playing the victim nor creating victims, but just participating in calm, adult behavior. Because an awful lot of churches just aren't there at adult Christianity, this seems to be the norm anymore.
There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall. Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.
I remember my parents were always around, and that was glorious, but as an adult and as an actor I look back now and see, no, they were at home for long stints because they were unemployed.
"Sesame Street" was really the first kid's show that my dad did. He did a couple of TV specials that were targeted for kids before "Sesame Street," but really, it was, it's kind of going back to our roots, when we start to get adult. This show gets very adult sometimes, and that's because of the audience.
I grew up in a house where there were no taboos, so it came originally from a pretty innocent place, where I was shocked at the things that shocked people.
Astronomers can look back in time. We can look at things as they used to be. We have an idea there was a Big Bang explosion 13.7 billion years ago. We have a story of how galaxies and stars were made. It's an amazing story.
You can't anticipate history. It's only when you look back you see what the Romans did, and what various other empires did, what the British Empire did. We're now beginning to see the long shadow that it created, so one must be hopeful and say that what's going on in Asia, that what's going on in the Middle East, that all these various areas of conflict, that they will pass and move onto another area. But it would seem that the natural order of things is there is this cyclic behavior of destruction followed by a calm period.
A lot of things I did were cringy. I look back at interviews, seeing the way I talked and the way I am, and it is embarrassing. I came back from the Olympics, I was shoved in the spotlight and I couldn't cope that well.
If I look back, I think most of the things I did - the films, the books, the collaborations with these magazines - were mostly by accident.
When Im not working... Im an actor! Im auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
When you look at any experimental work not directly related to economics, but trying to test rational behavior in other ways, experiments have conspicuously failed to show rational behavior. Macro evidence certainly suggests deviations from rationality, but I don't want to say the rationality hypothesis is completely wrong. If you have any introspective idea or experimental idea about people's behavior, it seems to be incompatible with the really full scale rational expectations.
For a shot, I had to look like I've slipped on wet floor and hurt my back. My director wanted me to just act it out, but I insisted on doing it with water on the floor to make it look authentic. He was against the idea, but I did it and almost broke my back.
I liked the idea that my character was not gonna be the typical dumb guy that I play, typically. I also loved the fact that it was dealing with kind of adult-extended adolescence, which I think is always interesting - a bunch of people that don't wanna grow up.
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