A Quote by Katherine Waterston

It's weird. I feel like people assume if a character is very different than you, that means it's difficult to get into their head or into their skin. — © Katherine Waterston
It's weird. I feel like people assume if a character is very different than you, that means it's difficult to get into their head or into their skin.
I feel like people assume if a character is very different than you, that means it's difficult to get into their head or into their skin.
I don’t think that actors are necessarily any more uncomfortable in their skin than anyone else. I suppose I feel more comfortable in my skin now, but you’re always playing a character, aren’t you? You tell different versions of yourself to different people and vice versa. Here, or in the photo shoot or wherever, it’s a representation of you. It’s not you-you. That’s how you get through it.
People dressing up as you is always a weird experience. Or sometimes you get the odd person who genuinely believes that you are your character. I've had that happen where I'm like, "No. No. No. Call me Sophie. It's OK." And they are like, "No my lady. I can't!" And it's really weird. But some people just find it difficult to separate that kind of thing.
If people don't like your act, it feels a little bit more like they don't like you as opposed to they didn't like that character... It's weird because on one hand, we make our living from being permeable and vulnerable, but we also have to have very thick skin.
I would do the baby voice and it's kind of like this character I made up. But in real life, I'm completely different. I'm very smart. I think a lot of people will assume I'm an airhead.
I think a lot of times it just looks like Hollywood actors in Halloween costumes, you know? And I think what we’re going to do with Fantastic Four is going to be very grounded and it made sense to me. When I read the script, I didn’t feel like I was reading this larger-than-life, incredible superhero tale. These are all very human people that end up having to become I guess what is known as the Fantastic Four. So for me it was just a really good story and gives me an opportunity to play something different from my own skin. It’s a proper character and that’s my favorite stuff to do.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
You know something has really stuck in Tim's head when he's drawn what the character looks like. Weird Girl and Elsa actually switched places, at one point. I may be mis-remembering it, but the original design for Weird Girl was actually Elsa, but then it became Winona Ryder's character, and the new Weird Girl was just fantastic with those giant wide eyes.
I never wanted to grow a thicker skin; I felt a real sense of pride in my thin skin, and in a weird way, I still do, because it's my thin skin that allows me to empathize with other people. It's the thing that allows me to create vulnerable art. It's the thing that allows me to create other feelings and make songs that actually grab people and touch people. I feel like I've spent my life fighting that thicker skin because I don't want to become an embittered asshole.
Hollywood is so fixated on keeping it that way because it's generating the buzz, but that representation isn't right. I definitely feel like it's getting better - it's not only for blacks, but for people that are of all different skin colors. It is very important that black independent films get seen. We need to start getting used to black people. They exist. And they've been around for a long time. It's amazing that people still feel, "Oh my gosh, it's a black guy."
This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle. And you can't go up from down below as well, 'cause I've got, like, rock solid gelled hair. And so, like, it was odd. I don't know, sometimes I feel like my head is being, like, turned inside out. Like that episode of Ren & Stimpy when he's inside his own belly button. I don't know.
It's almost like a theater, where I can play a character in every song, 'cause Kamelot songs are very... There's always a narrative going on. There's a story within albums and in songs, so I get to play a character and sing it in a different way than people might recognize coming from me.
I think Wonder Woman is a very difficult character to crack. More difficult than Superman, who is also more difficult than Batman. Also, a lot of people in Hollywood believe that it's hard to do a big action movie with a female lead. I happen to disagree with that.
But today I felt different, today I forgot how long it takes to get into the skin of a character and I remembered it, because today I actually got into that skin and it felt so different.
Usually I'm trying to get away from my discography. I don't think I could tear down everything I've done, the structures I've created - you know, like what Miles Davis did eight times in a row, which was destroy every kind of crutch or system he had for making music. That's very, very difficult. When I reflect on my catalog, I'm very proud of it, and I love it, but what I want to do now is completely different. When I don't do something different, I feel like I'm cheating - consciously or unconsciously stealing from myself.
My character should not be ordinary, cliched, and if I feel that it's difficult to do this character, I take up that challenge to get into his character.
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