A Quote by Katherine Waterston
Acting is a community where you come in and out of each other's lives. I'm slightly envious of the Golden Age of Hollywood. It must have been frustrating to be owned by the studio, but it was also like being in a company, working with the same people, and that appeals to me.
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I wasn't working much. So I focused on studying, and I really learned what it means to be an actor. And here I was on Jonny Quest,working with all these great people from back in the golden age of Hollywood, who came up doing radio. These were journeymen, working actors. It made me proud, and gave me some insight into what acting was really about if you weren't a star.
If you have a privately owned system, there's going to be monies leaving the community that will go towards shareholder dividends and high salaries. If you have a community owned, municipally owned facility, those extra resources are being reinvested in the community and they can be going to weatherization and other projects that are vested in the community.
When I started meeting members of the hijra community, it was a whole different ballgame. They were like me. This was the first time I felt that I was with other people who were the same as me. It was not about cruising a man, it was not about sleeping with somebody - it was beyond that. It was so much a community, wanting the best for each other, loving each other, caring for each other.
A community is the mental and spiritual condition of knowing that the place is shared, and that the people who share the place define and limit the possibilities of each other's lives. It is the knowledge that people have of each other, their concern for each other, their trust in each other, the freedom with which they come and go among themselves.
The short-range involves the long-range. Immediate steps have to be taken to reeducate our people into the, a more real view of political, economic, and social conditions in this country, and our ability in, in a self- improvement program to gain control politically over every community in which we predominate, and also over the economy of that same community as here in Harlem. Instead of all the stores in Harlem being owned by white people, they should be owned and operated by black people.
I was fortunate to write pretty much a year out of film school and start making movies in the Hollywood studio system. But with each progressive film it became more frustrating not being able to speak and say things I wanted to say.
I am fairly embraced by the Hollywood community, and I love making movies and I love acting, but I'm not real crazy about the Hollywood system. So the fact that they embrace me is a shock to me because I tell them to kiss my ass all the time. I don't understand why they haven't thrown me out on my ear. The other thing is I don't participate much. I have very few friends within the movie community. I hang out with some guys I've known forever. They're all broke and eat me out of house and home. But I stay home mostly and I don't go to the parties. Maybe that preserves me.
We are a company that lives and breathes a philosophy that's centered on not only making sound business decisions but also personally and professionally finding ways to contribute to the well being of society. We are also a company that understands community.
Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we're from the same area so we have a lot in common.
Everybody's able to pour into each other creatively, and pop into the studio and pop out. It feels like a community. As an artistic community I think it's really cool.
I'm not saying the 1970s was a golden age - I don't believe such a thing exists in art . . . It would be like talking about a golden age of science. But it's true that those were slightly more ideological times, and the relevance of artists wasn't established by their CVs but by their work.
I always have a rule that acting is acting and truth is truth and you just go out there and you do it. But what happens in each medium is that you have other responsibilities. The acting remains the same, but each medium dictates assuming other halves to make the acting work.
I formed my own studio, carried my own deficits, owned one-hundred percent of my negatives, and made a lot of mistakes, but we ended up being the third largest TV studio in Hollywood.
Subjects who reciprocally recognize each other as such, must consider each other as identical, insofar as they both take up the position of subject; they must at all times subsume themselves and the other under the same category. At the same time, the relation of reciprocity of recognition demands the non-identity of one and the other, both must also maintain their absolute difference, for to be a subject implies the claim of individuation.
I feel like a survivor from an age that people no longer understand. I want to try to explain what the 1930s - the golden age of Hollywood - was truly like. People forget that America was such a different place then, not yet the dominant force in the world.
You have people saying two things that seem to contradict each other. One, that we live in a golden age of TV. The other, that television is dying. There's a reason for that. What we mean when we say it's dying is that it's already way past being fragmented into little chunks. Now it's being polarized into an aerosol mist.
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