A Quote by Katherine Waterston
I have been a scrappy actor for 10-plus years, and when you're playing supporting roles, your relationship with the costume designer is very different.
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I've been doing this since I was 10 years old, inhabiting different people and playing different roles.
I turned my hand to costume design a few years ago when I created the outfits for 'This Is the Sea,' with Richard Harris and Samantha Morton. It's a very different discipline to being a fashion designer, though - you have to rein in your own vision and work to a tight brief.
Fashion designing involves a lot of work, and, as opposed to the general perception, it is different from costume designing for films. While a fashion designer can take up a costume designer's role, it is not possible vice versa.
I think being an actor in general is acknowledging that we are constantly playing different roles, that we have all these different parts of ourselves and instead of pretending that you are just one thing, as an actor you get to admit that you've got all this stuff going on.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
What I normally do as an actor in playing different roles, I just have to do in a span of three seconds sometimes, so I think I'm lucky that I've been doing it so long that I can do it rather quickly.
All evidence indicates that the neuron does not reset. The synapses do not reset. They are always different. They're changing every millisecond. Your brain today is very, very different from what it was when you were 10 years old, and yet you may have profound memories from when you were 10.
I just love the whole art form of acting, of being in front of a camera and playing different things. Not that I would ever say I'm the greatest actor in the world, but I am capable of playing different kinds of roles that emotionally I could get into.
I have played lead roles, supporting roles and also miniscule roles in my career so far, and have never been image conscious.
It hasn't been until the last couple years that I've started playing close to my age. But it's fun playing the younger roles because it takes you back to the teen years.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time.
I worked 10 years as a toy designer before I started my career as a fashion designer. It's something I just fell into and really liked.
An actor is an impersonator; he plays many different roles. If you played the same role all the time, God - that'd be a boring career. When you take on different roles and become a different person, that's called acting... It's a challenge.
My mum was a costume designer and costume supervisor in the theater and, especially, the ballet. But that was before I was born.
The muscularly developed actor is not seen as a serious actor although he should be seen as a serious actor because he has been preparing for these muscular roles his entire life. If you can dedicate years of your life to hitting the gym and dieting and eating right you can definitely take a movie role seriously.
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