A Quote by Katherine Waterston

When 'The Master' came around, they said they wanted to try and find a part for me, and I got a text from the casting director saying that. — © Katherine Waterston
When 'The Master' came around, they said they wanted to try and find a part for me, and I got a text from the casting director saying that.
I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.
At 21 years old, I found myself in Vancouver, and that's where I got the part for my first movie. I was sitting in a restaurant, and the director came up to me and asked me to read for his film. I really took it with a grain of salt. It was the creepiest casting situation, probably. It turned out that it wasn't.
Quentin [Tarantino] called me and said: "Yeah, you've got to be in my movie. You've got to be in Death Proof." But he made me audition. I was like: "Dude, I don't even want to do this..." So I left the casting of Hostel: Part II to drive to Venice, where Quentin was holding his casting, and the person ahead of me was Derek Richardson from Hostel 1 and he was like: "Dude, what are you doing here?" I said: "Don't ask!"
Playing the greatest warrior in the seven kingdoms, that's absolutely no pressure. It didn't help, during the casting, the director kept saying, 'Remember, you're the most legendary swordsman ever.' I said, 'Great. I'll try and convey that in my four lines of dialogue.'
'Drive' came to me because the casting director knew my manager and called and said, 'You've always talked to me about Albert wanting to play the heavy. I think he should read this.' My ears just perked up.
At drama school, a casting director asked the class to walk round the room one at a time, and we had to imagine who they might be. The two before me were described as a doctor and a businessman, but when it came to me, they said homeless person. That was when I thought I'd better do something about my appearance!
I didn't really know what I wanted to do, and then I got this call from a casting director in Los Angeles. She remembered me from something years before, and she called my mom wanting me to audition for this thing.
I really feel like becoming a director came from other women saying, 'Yeah, you can do this.' I wanted to direct 'Six Feet Under,' and no, they didn't let me.
We have a text before us, an ancient text, a living text, and we try to enter it, not only to decipher it, but to penetrate it, to become part of it, similar to the way every student becomes part of a teacher's texture. That's how I see our [with Frank Moore Cross] two differing approaches.
I was in a TV show called 'Lucky' on FX. The casting director from 'Lucky' was casting 'Dragon Wars'. She called me in to meet with the producer and audition, and I got it from there.
I have been waiting around to get the right script and the right director. For example, in the past, if a Hollywood director came to me with a script and wanted me to play a character, and she was a stereotypical Asian woman who gets into a fight and gets killed off quickly, that didn't seem to have much interest for me.
[Sylvester] Stallone and I were in a meeting for Rocky Balboa. We were laughing about something, and he looks at my mouth and says to the casting director, "Wow, your lip even hooks down like mine does." Then he looked at the casting director and nodded, and I guess that was the nod of saying, "Hire this kid." So yeah, I have a really crooked mouth. They don't work, but I can feel everything.
I thought food and drink were just part of the perks of living at the White House. The next day, I got a call from his secretary saying my dad wanted to see me in the Oval Office, and when I got there, dad was waving this little pink receipt. I didn't know it came out of his salary.
I don't know what I'm qualified to do, film-wise... So it's really down to a director or a casting director to find something that they think I could do.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
Denzel Washington was so great at The Great Debaters, so focused and talented. That was just an honor to be cast in that, for the most part. I was fat, and I guess the casting director sold him on me. He actually said to me during the scene, "You know, I've always found that less is more," which is an expression that you've heard a million times, but it was a nice way of telling me I was overdoing it.
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