A Quote by Katherine Waterston
It's just a dream of the struggling actor to just have a proper shot - not just in a film that people will see, but with a character that's rich and complicated and that you can show you're capable of taking on.
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We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.
People are going to say, "I was a lesbian back in the 90s" just like people say, "I was a hippie in the 60s". I see them struggling. Rich girls struggling with their heterosexuality.
You have to understand that when you're a voice actor on an animated film, you're really just a tiny little piece of this huge process. And when you finally get to see the finished product and see all of the wonderful work that the animators & the designers & the writers did to make your character stand out, it's just so touching, so humbling.
It's the opposite on a sitcom. People crave the character to not learn from their mistakes. They want to just see the situation, and then see how that character is going to react to that particular chaotic catastrophe. That's just my take on it, anyway. I don't really get too hung up on what the future of the show is.
Sometimes an actor performs a character, but sometimes an actor just performs. With writing, I don't think it's performing a character, really, if the character you're performing is yourself. I don't see that as playing a role. It's just appearing in public.
Personally, I love going to see a film when you can really watch a character. If you've just read some article about who the actor is sleeping with, that's gonna be at the back of your mind all the time while you're watching the film.
People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
Independent film is taking risks in all areas. It's not just about complicated women.
Sometimes I'll dream that I saw a show and then I'll wake up in the morning and realize that I didn't see the show, that it was my dream. And I just remember what the paintings look like in the dream and I think, "Oh, nobody painted those. I can do that."
Sometimes I will read the whole script just to see what my character is doing, but I won't touch a script that I'm not in because it's just so much more exciting as a fan to me to watch the show as it's happening.
When you have the medical advances you think will they be available to everyone. Will they not just be for the rich world or even just the rich people and the rich world? Will they be for the world at large?
He walked into a room and everything stopped. Elvis was just so physically beautiful that even if he didn't have any talent... just his face, just his presence. And he was funny, charming, and complicated, but he didn't wear it on his sleeve. You didn't see that he was complicated. You saw great needs.
I've always just kind of prided myself on just taking the ball and just trying to give your team a chance to win, and I really don't try to make it any more complicated than that.
There's a kind of chemical spark that comes sometimes with the character, that you don't even have to think about how she is reacting, you just let yourself go. You just let the character take you, instead of taking the character.
I think there's something about supernatural shows that people see and just want to put me in them! I don't know. I just finished another show - 'The Nine Lives of Chloe King,' with Skyler Samuels, who was my girlfriend in 'The Gates' - and I play another supernatural character on that show.
If you can show something as complicated as two people falling in love with just music and camera angles, well, just think about what you can do with football.
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