A Quote by Katheryn Winnick

I think every woman character, every female character, has her own arc. — © Katheryn Winnick
I think every woman character, every female character, has her own arc.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
Every character that I play, even if it's a homemaker, there is an inherent, innate strength in her - you can find strength in every facet of a female personality. It doesn't just come from the physical strength of a woman.
Ultimately, I don't think you can be a character who's completely alien or divorced from your own personality. It's probably true of every writer - it's probably true of every filmmaker, every songwriter - that, ultimately, every character you create is a facet of yourself.
Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
It is [every woman’s] right to ignore the dictates of fashion and dress in a manner that is becoming to her own character and personality.
Every woman whether rich or poor, married or single, has a circle of influence within which, according to her character, she is exerting a certain amount of power for good or harm. Every woman, by her virtue or her vice, by her folly or her wisdom, by her levity or her dignity, is adding something to our national elevation or degradation. A community is not likely to be overthrown where woman fulfills her mission, for by the power of her noble heart over the hearts of others, she will raise that community from its ruins and restore it again to prosperity and joy.
A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.
Believe it or not, every Marvel character is someone's favorite character. There's a fan out there who absolutely believes that their character should have their own television show.
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
I consciously think about the ethnicity of every character that I create and cast. But one thing that is equally important is quality representation. It's not enough to put an African-American in there, a female in there, a gay character in there: How significant is their contribution? Can they drive the story?
Having been a theater person first, you have the whole character, and you see the arc of the character in a play. And then when you do a movie, you have the whole character - or, if it's a small role, there's not much arc, but you see what the whole part is.
Every girl has her own character, every boy his own mind.
When you're telling a story, the best stories, every character has an arc. Every one. And that arc is usually about finding yourself, or about at least finding something about yourself that you didn't know.
I believe in the fact that to portray a character convincingly, you need to live that character, own that character. You have to be earnest with every line that you deliver. However, it doesn't mean that you have to cut off your true self.
I think, for every actor, the most challenging part of playing a character, specially a real-life character, is to convince yourself that you are the character.
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