A Quote by Kathie Lee Gifford
Our culture is in moral chaos. On TV we celebrate freaks instead of honest, decent people.
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In the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the nonbelongers, the different ones, the outlaws, the freaks.
For it is my opinion that we enclose and celebrate the freaks of our nation and our civilization. Yellowstone National Park is no more representative of America than is Disneyland.
You can't have a decent food culture without a decent coffee culture: the two things grow up together.
From 2002 to the end of his presidency, George W. Bush routinely was accused by the Left of 'creating chaos:' chaos in Iraq, chaos in Afghanistan, chaos in the Muslim world, chaos among our allies.
One expects decent people to stand up for the good of all. Decent people shut their doors and hide behind them as decent people do. Massacres could never happen if it weren't for decent people.
On stage, we embrace every ounce of ourselves, we celebrate who we are, we are honest and live our truth - and we inspire people to do the same.
Totalitarian regimes produce a culture and a moral code that is totally different from what happens in a democracy. There are two moral categories in a communist society: honest men and bad men. The "honest" ones resist compromising or collaborating with the regime, while the "bad" are the persecutors and collaborators. You can choose to be on one side or the other, but there is nothing in between. In a normal society, other factors can define who you are. You can be a good worker, sociable, tough, generous, tolerant, collaborative, friendly.
This Western culture of ours tends to sacrifice the full range of experience to a lower common denominator that's acceptable to more people; we end up with McDonald's instead of real food, Holiday Inns instead of homes, and USA Today instead of news and cultural analysis. And we do that with the rest of our lives.
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
What the Americans have done is refuse to back down. They've refused to make the cheapest, lowest common denominator forms of entertainment for TV and instead have championed television drama as an important part of our culture.
[If] we can celebrate that in a way that celebrates our love for New England as well as our love for the Italian culture as well as the American culture, then we've done something that's really good and supporting these fishermen who are doing the right thing in sustainability . . . paying attention to make sure we don't overfish our world.
Now the freaks are on television, the freaks are in the movies. And it's no longer the sideshow, it's the whole show. The colorful circus and the clowns and the elephants, for all intents and purposes, are gone, and we're dealing only with the freaks.
One reason I'm grateful to call Hawai'i home is that the people of these islands embrace diversity and celebrate the colorful fabric of race, ethnicity, and religion that make up our people, place, and culture.
Make use of radio, TV and films discriminatively; only for programs that will enhance our knowledge and culture. Television is tele-visham (tele-poison, in Malayalam). If we are not careful, it can corrupt our culture, damage our eyes and drain away our time.
There can be, therefore, no true education without moral culture, and no true moral culture without Christianity. The very power of the teacher in the school-room is either moral or it is a degrading force. But he can show the child no other moral basis for it than the Bible. Hence my argument is as perfect as clear. The teacher must be Christian. But the American Commonwealth has promised to have no religious character. Then it cannot be teacher.
We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.
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