A Quote by Kathleen Hanna
What I've heard from younger women and women my age is that the albums changed their lives or it was the first time they had heard feminism that they could relate to. So that's great.
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Women who were housewives, who were pretty miserable ... felt inspired by her book and their life changed. They didn't become megastars, but they became a librarian or something. I've heard women say again and again when the subject of Germaine comes up: 'Well, her book changed my life for the better.' And they'll be modest women living pretty ordinary lives, but better lives.
There are many feminists who work in the media, and they think that feminism is very important. It is in their own lives, but mostly feminism has had an impact among privileged women in the advanced Western countries. For the most part, it hasn't begun to touch the lives of poor and working women in the Third World, and that distresses me.
I resolved that women should have knowledge of contraception. They have every right to know about their own bodies. I would strikeout--I would scream from the housetops. I would tell the world what was going on in the lives of these poor women. I would be heard. No matter what it should cost. I would be heard.
More education for women. More jobs for women. More equal opportunities for women. More women to be taken seriously. And I think more than anything we wish to be heard and not to be shut down. I think this is a good thing to think about for any community; what is important is that our voices be heard and not swallowed in an abyss of history.
The problem with feminism in the second wave was that we fought so much among ourselves, and I think we did so much damage to the movement... and I think the next wave, the third wave, is women mentoring younger women and women helping younger women to enter the political process and the writing world.
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women - women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in - older women and younger men.
He had heard that women often love plain ordinary men, but he did not believe it, because he judged by himself and he could only love beautiful mysterious exceptional women.
I'm a single woman of 56 and I see a lot of men my age with much younger women or women my age with much younger men. I've done both, and I still hope that when I do find someone I want to spend time with, they think I'm the hottest thing going.
We've always had the blame-America crowd. We've always had the hate-America crowd. But we've now had at least two generations of education where this has been indoctrinated into the young skulls full of mush of young people. They've heard how horrible America was back in the days of slavery. They've heard how horrible America treated women. They've heard how horrible every minority group was treated. They've heard how mean-spirited the founders were. They've heard all kinds of literal lies.
It was feminism that made it possible for women to go to the Ivy League and women to be astronauts and women to have their own TV shows. What happened, though, was that the generation after feminism, which is my generation, misunderstood what feminism was saying.
When I was younger, I didn't have that type of person that I could look up to and be like, 'OK, this is someone who dresses like me and I relate to.' I didn't have that growing up, so to give that opportunity to a younger generation of women - and not just Somali women, but anyone who feels different - that means a lot to me.
This business is hard. People and producers and studios and finance guys get caught up in saying, "Women don't sell movies," or "This person doesn't sell foreign," or "You have to attach guys first," or "People don't want to see women do this." I've heard those things so many times that I've actually heard myself say them, a number of times.
The first time I heard the Mars Volta, I had a feeling I was experiencing something that people must have felt when they first heard Led Zeppelin. They have the same kind of power.
All year there have been these cover stories that the women's movement is dead and about the death of feminism and the post-feminist generation of young women who don't identify with feminism - and then we have the biggest march ever of women in Washington. More people than had ever marched for anything - not only more women, but more people.
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