A Quote by Kathleen Hanna
Part of being in a band, being a painter, or starting a nonprofit is that you're going to make horrible mistakes and look like a total idiot, but you're never going to create that thing that really connects with people if you don't fail over and over and over again.
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I'm confident when I perform but going into a horrible, boring studio and playing the same thing over and over again is really different to being on stage!
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
Being in a band can be really toxic to being in a relationship, considering all the touring and everything. Sometimes when you're on tour, it feels like you're living the same day over and over again.
I don't relate to people that look like me. I find it deeply unsatisfying to play a version of myself. It was something I had to figure out really early on, when I was at RADA, because I was being cast, over and over again, as the young, virginal thing. When I left RADA, I was on an absolute mission to never wear make-up.
Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
I did kung fu from when I was nine to 13. You have to be really careful but you want to be able to make it look eventually as though it's just a part of you. So, you train over and over and over again.
There is a thing where I get scared watching other people, and really realize, My God, their happy lives are going to stop. Sometimes you feel that people have 19 jokers in their back pocket and, because of the way they're living, you're like, Do you know that this is not going to happen over and over again forever?
I don't wanna keep playing the same song over and over again. It's just thinking about "what's going to be the coolest thing to play on this particular show?" The easiest thing to do is to play the single over and over again.
I'm growing up and continuing to learn from my mistakes and trying not to make the same ones over and over again, but am I going to live in a shell, or am I just going to hide from everybody and not do anything? I don't think that's the way I should live my life, and I'm not going to do it.
There's not a conspiracy to prevent really good writing from being found You have to have the humility to fail over and over and over.
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
For me, creatively, I'd suffocate if I played the same thing, over and over again. I want challenges. I want to sit down with a director and be like, "I've never done this before, but it's going to be exciting. It's scary, but really thrilling, so let's do it!"
You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
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