A Quote by Kathleen Hanna
It's so crazy because kids that wrote to me when they were 14 years old are still in my life. A lot have gone on to become musicians and artists in their own right who inspire me now.
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Cancer has taught me a lot of things. Maybe it is the best thing that has happened to me. I can't say right now, but maybe some years down the line, I would realise. When I was taking chemotherapy, there were a lot of elderly patients, and that would inspire me. I thought, 'If they can be cured, why can't I be?'
When I was 14-15 years old I was able to earn a little money from time to time but I'm not complaining since, very soon I could provide a normal living. I was discovered also by other musicians and they asked me to work with them. Even in my early age several well-known artists asked for my services both on the stage and in the studio. This experience proved to be very useful, musicians showed me various musical situations and various music experiments.
Learning how to record has been super empowering for me, because I spent so many years going into the studio and watching other people do it. I guess a lot of musicians have gone through this because now recording is really available for everybody.
There were musicians that influenced me, but they weren't all women. Teena Marie was a big influence because she wrote and produced her own music, which let me know that women could write and produce their own music, which was an empowering moment for me.
Once avant-garde artists receive official recognition, they start a double life. In one, they inspire younger artists to do more. In the other, they inspire a mass of imitators who make the work respectable and exclusionary. The artists and their art become intellectual brand names.
I went through a really good-looking phase from birth to 9. And then things went crazy. I don't know what happened, but between 9 and 14 it was really, really rough. I didn't have a lot of friends. The only ones who were nice to me were the theater kids. And they were like, 'You can come and join us. No one likes us.'
I went through a really good-looking phase from birth to 9. And then things went crazy. I don't know what happened, but between 9 and 14 it was really, really rough. I didn't have a lot of friends. The only ones who were nice to me were the theater kids. And they were like, 'You can come and join us. No one likes us.
I want to invest and have my own record label and artists. I want to have a business where my kids, kids, kids will still have something going on long after I'm gone.
But you have gone now, all of you that were so beautiful when you were quick with life. Yet not gone, for you are still a living truth inside my mind. So how are you dead, my brothers and sisters, and all of you , when you live with me as surely as I live with myself.
When I had bone cancer, I was just 11 years old. I think my parents suffered a lot because they worried about my health, my life, so much. For me, it was quite bad feeling during the treatment. But I quite enjoyed staying in the hospital because so many kids played with me.
Someone who knew me when I was 14 said I was the oldest 14-year-old on the planet. Now I'm a 14-year-old who is 60.
When you have kids, you just can't believe your heart could love something so much. My kids inspire me every day and I think I'm a better singer now because they have given me a greater emotional well to draw from.
My life after childhood has two main stories: the story of the hustler and the story of the rapper, and the two overlap as much as they diverge. I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I'm so far away from that life - now that I've got businesses and Grammys and magazine covers - that I have no right to rap about it. But how distant is the story of your own life ever going to be? The feelings I had during that part of my life were burned into me like a brand. It was life during wartime.
One of the best things about Kickstarter and crowdfunding and the collapse of the music business is a lot of artists like me have been forced to face our own weird mess about ourselves and what we thought it meant to become musicians.
The old philosophy was that parents, especially mothers, caused their kids to become schizophrenic. Now we see that when a kid is this crazy, he'll make the family begin to seem crazy.
At 9 years old, I moved in with my father because my mother could no longer care for me. Looking back, I now see so many similarities between my own childhood and that of my sons. My father stepped in when I needed him, and that gave me the chance for a better life. That's what I'm doing for my boys now.
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