A Quote by Kathleen Hanna

I like loud snare, and I like really treble-y guitars, and that's just never going to change. — © Kathleen Hanna
I like loud snare, and I like really treble-y guitars, and that's just never going to change.
I like loud electric guitars because I like how you can just lose your entire being in the sound.
I know I love sexy surf guitars, I know I love loud snare. I love really simple repeating bass lines, and I love weird mad scientist keyboard sounds.
What sounds good on the radio is really loud kick drums and loud snare drums, when everything's bombastic and in your face. It's the equivalent of a houseguest who screams all the time.
You can't be, like, smashing guitars against Marshall stacks all the time. As a matter of fact, after a while, it just looks like posing - it never really gets down to any message or any real expression.
Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.
I like loud electric guitars because I like how you can just lose your entire being in the sound. But I can't find myself in a situation where our band Swans is doing typical chord progressions - it just seems cliché to me. Even changing chords sounds like a cliché sometimes, though it happens occasionally in our music. But you find ways to push yourself into the sound through repetition. It doesn't stay the same. It morphs constantly.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
Going to regular public high school and working and auditioning was really, really tough. I never really fit in and hit the stride that all the other kids were on. Instead of going out and hanging out with my friends at that age, I remember being in my bedroom and putting on like a Christina Aguilera tape and just like belting. And seeing if I could hit every single note just like her.
I've been into Sonic Youth since junior high school. I think I kind of have ADD, so it's good music for ADD because it just throws you in different directions all the time. I really like Kim Gordon's voice and Thurston Moore's voice, and I like the guitars going off on tangents.
Well one of the times I did a stunt was in the devil's snare room and they lifted me up on a harness and a safety rope really, really high, and they just dropped me down into the devil's snare.
Well one of the times I did a stunt was in the devil’s snare room and they lifted me up on a harness and a safety rope really, really high, and they just dropped me down into the devil’s snare.
To be honest, I've never looked really hard for musicians. I'll just randomly meet people. I've never interviewed bandmates or anything like that. The reason I like playing with Chad and Devin is that they're just really, really good musicians and good players. There's not a lot of sloppiness going on.
Let's just say that where a change was required, I adjusted. In every relationship that exists, people have to seek a way to survive. If you really care about the person, you do what's necessary, or that's the end. For the first time, I found that I really could change, and the qualities I most admired in myself I gave up. I stopped being loud and bossy... Oh, all right. I was still loud and bossy, but only behind his back.
I was, like, a kooky kid, so people thought I was loud, but I really wasn't. I was kind of loud in outbursts. I was like a silent volcano. When I did have something to share, it was very over-the-top. But I've learned to balance that.
I have to say, our kind of music was always a struggle live. Quiet vocals and really loud drums and guitars, it was quite tricky. It still can be. I'm slightly amazed that other bands say that, because I'm still like, "Oh God, what am I doing?"
I don't think people are like, "I'm going to save the planet by planting my own herbs." But on environmental issues like climate change, there's a sense of hopelessness and despair. Maybe it's really a small gesture but if you can have a garden it may make you feel like you're helping in some way, or that you're making a connection. You can't change the world but you can change your backyard.
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