A Quote by Kathleen Hanna
Since I loved underground music, I tried to carve a space for feminism within it. Those were my hopes.
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A good character is the best tombstone. Those who loved you and were helped by you will remember you when forget-me-nots have withered. Carve your name on hearts, not on marble.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
People have accepted the media's idea of what feminism is, but that doesn't mean that it's right or true or real. Feminism is not monolithic. Within feminism, there is an array of opinions.
Since it [architecture] is music in space, as it were a frozen music.
All songs, all pieces of art, reflect the world that they were made in and the values of those artists and the hopes and aspirations of the people who listen to that music and who made that music.
To all those whove tried to belong, and just didnt fit inyou are loved. To all those whove tried to stand out and be heardyoure admired. To all those whove tried to be themselves, only to be shut downyou are supported. To all those whove tried to kill themselves because lifes unfairyoure NOT alone. Love your friends, love your enemies, because in the end, theyll all be kissing your ass when you make it.
I loved my time at MTV because the music was critical; the music was our thrust. That's what the channel was all about. And I loved that, because we were pushing the limits with how we were covering and interviewing and consuming music and bands.
When you have emptied all content - thoughts, desires, memories, projections, hopes - when all is gone, for the first time you find yourself, because you are nothing but that pure space, that virgin space within you. Unburdened by anything, that contentless consciousness, that's what you are! Seeing it, realizing it, one is free. One is freedom, one is joy, one is bliss.
The photograph contains and constrains within its own boundaries, excluding all else, a microcosmic analogue of the framing of space which is knowledge. As such it becomes a metaphor of power, having the ability to appropriate and decontextualize time and space and those who exist within it.
I've always loved music since I was 11. I used to play keyboard, and I would write music. So since 11, I've been falling in love with music.
In the homes of many Western Christians, hours are sometimes spent listening to worldly music. In our homes loud music can also be heard, but it is only to cover the talk about the gospel and the underground work so that neighbors may not overhear it and inform the secret police. How underground Christians rejoice on those rare occasions when they meet a serious Christian from the West!
I've always loved music. I wasn't one of those "composing since I was five" kids, but I was definitely involved with music since I was that age - singing in musicals and taking lessons. Lots of lessons! Singing, dancing, acting, drums set. My mom pretty much had a full-time job carting me all over town six days a week.
Jazz to me is a living music. It's a music that since its beginning has expressed the feelings, the dreams, hopes, of the people.
Even before the mainstream knew about P.O.D., we were going for several years underground. For me, those were the times where it really was about the music and really about the fan base.
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
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