A Quote by Kathleen Kennedy
My story sort of sounds ridiculous because the first movie I produced was 'E.T.'
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'Private Benjamin' was the first movie I produced, and I produced it for practical reasons.
Words reduce reality to something the human mind can grasp, which isn’t very much. Language consists of five basic sounds produced by the vocal cords. They are the vowels a, e, i, o, u. The other sounds are consonants produced by air pressure: s, f, g, and so forth. Do you believe some combination of such basic sounds could ever explain who you are, or the ultimate purpose of the universe, or even what a tree or stone is in its depth?
The first movie I produced was a movie that Joel Schumacher wrote and directed called 'Amateur Night at the Dixie Bar and Grill.'
Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie. The new ones are exciting because they're fresh. But if it's not that, if the story is not what you get into, maybe it's the crowd response. You hit the first chords of 'She's In Love With The Boy' and 20,000 people start to scream, you're pretty motivated. You get what you need. And it's a great story. It works.
Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
On to the Next Dream is so outlandish. I call it absurdist fiction, because the story is utter hyperbole. The story builds to such an exaggerated and ridiculous pitch that there's no way it can be true - and yet, because it's based on the current cultural climate, it feels as if it is.
I think Memento movie was hard because people didn't get it, they just didn't understand it. Not from the stage when we read the script and liked it. It's sort of a famous story now how we finished the movie and showed it to distributors and nobody wanted it. So it wasn't just they didn't get the script, they really didn't even understand the movie when it was done. But I think that was a particularly hard one. I don't think it was harder because we were girls, but I do think obviously there are particular challenges to working in a male-dominated industry.
Throw your children in the surf and let them get used to it. They have to learn all about rips and tides and swimming between the flags and all that sort of stuff. I know that sounds ridiculous but it's true.
I was like a wonder kid at Uptown. The first record I produced sold two million copies - and I'd only produced it because the producer didn't show up.
That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings.
You want to find the right balance, but you have to have the Minions because people responded so much to them. We wanted to find a story that would make the Minions more a part of the story than they were in the first movie. In this one, as you know, they're disappearing. What's happening to the Minions? We made them a much bigger part of the movie in those terms.
I'm not sure if my story will become a movie. Some of my western friends sent my story to people they know in the movie industry. But one consistent response was there aren't any main western characters in my story, so it's unlikely to be made into a movie in English.
I think people are looking for an alternative because in addition to there being sort of a myopic, lemming - like ants on a sugar cube mentality on this DNS attack story by many in the media, there's just this culture of sameness. Everybody sounds the same.
The Whole Wide World is the first movie I've ever produced.
Usually, when I'm rappin', I'm creating a big story or a concept song that sounds like a movie to me.
In Providence, we didn't have a first-run movie theater. But we did have an indie movie theatre on the Brown campus. That was the theater we'd go to. I think, as highbrow as it sounds, that I grew up on the films.
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