A Quote by Kathleen Kennedy
I'm just a member of the audience with each project I work on, and I hope to never lose that. It's my touchstone. It's the thing I never want to overanalyze.
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So now I just assume that it won't work, and that if it does work, I'll lose it anyway. This is meant to protect me, although it doesn't, because somehow the hope sneakily finds its way in. I'm never aware of the hope until it's gone, whooshed away like a rug pulled from under my feet, each time I hear another "I'm sorry.
It's very important to understand that we never do the same thing twice; each of our projects is unique. We'll never do another 'Gates.' Each project is a unique image. We do not know in advance how the work will look. I do preparatory drawings, but they are only projections of our vision.
Never lose faith in yourself, and never lose hope; remember, even when this world throws its worst and then turns its back, there is still always hope.
Tomorrow, I am fifty-two years old. And I want to say unequivocally that I am very happy to be alive, that being alive is better than being dead. And if I have just one wish it is this: that you work with all your might and love with all your heart and never lose hope and never give up.
Never lose hope, be persistent and stubborn and never give up. There are many instances in history where apparent losers suddenly turn out to be winners unexpectedly, so you should never conclude all hope is lost.
It is such an abundance of idiocy that you lose courage. That you lose hope. I don't want to lose hope. I get through every day. I'm pretty good. I work. I sleep. I sing. I walk.
We never work on only one project because we never know if we will get permission for a project. So, for 'Over the River,' we started in 1992. I was just finishing 'The Umbrellas' in Japan and California, and I was also working on getting permission to wrap the Reichstag.
For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the courage to start all over again.
I genuinely have never been in an audience where most people want that person to fail. I've never been in an audience like that, and I've never seen it as a performer. Only in my dreams, in which case they are always throwing tomatoes and going, "This is the most boring thing I've ever seen."
Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.
Even in the face of the greatest adversity, the key is to never lose hope, never lose sense of the dream that drives you.
Humanity must never lose hope. Our present conflicts and differences are difficult but not hopeless. We cannot expect people of such different races, cultures, languages, ways of life and beliefs, who have lived for thousands of years separated from each other to suddenly love each other and work together harmoniously. It takes time and patience. We must work on it stubbornly and not throw in the towel.
I've never forgotten a word of advice my father gave to me. 'Never lose sight of your dream,' he said 'Of that person you want to be. You can make it come true, No matter how high or how far, If all down the way In your living each day, You never forget who you are.' 'For the you-that-you-are this minute, this day; Is molding the you-that-will-be, And every action and thought and word is shaping its entity.' 'It's a good thing,' he said 'To look on ahead and fix your gaze on a star, if along the way in your living each day you never forget who you are.
I never see myself as the famous person. It never was a part of my life, and I hope this doesn't become the most eminent thing about what I do. I just hope that I'll do things that have meaning for me and for others somehow.
I just want to continue adding walls to my craft as an artist and business man. I never want to cap off, I never want to seal it. I just want to keep adding walls and keep on going as high as it can go, but I'm never gonna be boxed in, can't. That's when you lose because when you box yourself in, you know you get comfortable, you start getting complacent. I can't be like that.
You just have to do the thing that you feel is true to your vision, and then the audience will make the decision. But as soon as you feel like you're creating a product to just cater to what you think they want, it never works. It always feels phony. And the audience can tell immediately.
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