A Quote by Kathleen Kennedy

People want to make a distinction between what's commercial and what's art. — © Kathleen Kennedy
People want to make a distinction between what's commercial and what's art.
I figure if people don't want to make the distinction between a Muslim and a terrorist, then why should I make a distinction between good scared white people and racists?
I don't make a particular distinction between 'high art' and 'low art.' Music is there for everybody. It's a river we can all put our cups into and drink it and be sustained by it.
I'd rather do anything than make commercial art. I didn't go to school for art. Making art has certain advantages for me but they would never be in commercial direction.
I don't make a division between an art film and commercial art.
It is said that anyone who does commercial cinema is not acting, and anyone who does an art film is acting. I don't believe it. I feel whenever you are doing a film, you are acting. So you need to be applauded for that. I won't do art house cinemas. I want to make commercial films. I want my films to make money.
People always make this totally artificial distinction between what is commercial and what is good. They quote that maxim "Nobody ever lost money underestimating the public's taste" and I think that's very wrongheaded. I like to believe the audience is actually intelligent, because it's made up of other people like yourself.
There are some people who make a big distinction between n - a, which they say is OK, and n - - . Now, in my view, it's important to know about that distinction, because some people put a lot of weight on it. I don't.
I want to make a clear distinction between people who take acting seriously and people who call themselves actors because they've been on reality TV or something.
One clear difference between art and commercial work is that commercial work is exploitive: the work may be high quality but the intention is to sell product or tickets. Art exists with or without ticket sales.
I don't want to just make music as I want to be legendary. I understand it has to be commercial as I have to feed my family. I am in between these two marks and they are not many people in this space. I want my work to my valued even if my face is forgotten.
I want to make a clear distinction between people who take acting seriously and people who call themselves actors because theyve been on reality TV or something.
I make no distinction between the mind and the spirit, and therefore no distinction between the process of achieving spiritual growth and achieving mental growth. They are one and the same.
I never make a distinction between private life and politics - that's a petit bourgeois thing. How can you make a stand against Nazi Germany, or in Rwanda, when you live life by making that distinction?
It's not my concern to make a commercial pop record. I want to make a record of music that I would listen to, that is lyrically rich and has songs that people can relate to - more along the Jakob Dylan route: people who create for the art of it and not necessarily the monetary rewards of it.
The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.
The distinction between the world of commerce and that of "culture" quickly became the distinction between infrastructure and superstructure, with the former clearly determining the latter.
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