A Quote by Kathleen Kennedy
If it's a huge tentpole movie, for instance with a movie like 'Tintin,' a year and a half, almost two years in advance, we were developing a videogame campaign and massive consumer products campaign.
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I had a job at a movie theater for like a year and a half and then a job at a health food store for, like, two years. Those were the only two jobs I ever had.
I had a job at a movie theater for like a year and a half and then a job at a health food store for like two years. Those were the only two jobs I ever had.
Hollywood's Me Too campaign was massive. Do you think only those women who were harassed or sexually exploited were a part of the campaign? No. Everyone was a part of it, because until and unless you unite for a cause like this, nothing will change.
We have two and half million individual campaign contributions, more than any campaign in history.
So many large movies come to you with a huge marketing campaign and it's like you have to see this movie this weekend, otherwise you'll be culturally bankrupt and can't converse with your friends.
When I was young, I wanted to be the face of a makeup campaign or a hair campaign, so that's something that I've always dreamed of that hopefully comes along. And then obviously starring with Ryan Gosling in a movie wouldn't be so bad, either.
I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about it, because each is usually an hour and a half. In some ways, it is like making a movie. It's just a lot more information.
When we wrapped Resident Evil, we were a 3D movie, but it was no big deal. And then, Avatar came out and the whole of Hollywood was like, "Look at these grosses! 3D is huge. Let's all be 3D!" We just got on with doing what we were doing, which was making what we think is a really quality, kick-ass 3D movie, and we'll really be the first live-action 3D movie of the year.
In every Kubrick movie, there is so much great thought put into the surroundings. It's almost like the sets are huge characters in the movie at all times.
The information diet of a senior campaign staffer is insane. We were all addicted to our chosen email delivery devices and were aggressively tethered to them. It made sense and wasn't an issue during the campaign because of the importance of the situation. However, once the campaign was over and we were successful, the information flow dried up.
In all my career, in my ups and downs, I've never had a beauty campaign. This was meaningful that at almost 41 years old, I could be getting my first beauty campaign. It made me feel really great.
I feel like I've been picky through the years and would do one movie a year or one movie every two years, and I want to work a lot more. So if I can find something that just happens right away as a director, I'll do it if I really love it, but otherwise, I want to keep working as an actor and getting better.
Sometimes in the middle of a presidential campaign, there's a political movie, and people are sick of hearing about politics, and they don't want to see that movie. They'd rather see "Godzilla."
'The Sopranos,' for instance, is arguably the best cable show of all time. They could have made a movie, but that show ended so perfectly, it would almost be a disadvantage to make a movie like that. Then again, if you made a 'Sopranos' movie, people would be lined around the block to go see it.
I was one of those kids who had never seen an indie film before I got to college. If it wasn't a big, huge tentpole movie, or if it wasn't on the radio, I hadn't experienced it.
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