A Quote by Kathleen Kennedy
We knew that for E.T. to feel real, you had to have some connection to his eyes.
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I stroked Eric's hair, tucking some behind his ear. His eyes on mine were intent, and I knew he was waiting for me to speak. "I wish," I said, "I could save orgasms in a jar for when i need them, because I think I had a few extra." Eric's eyes widened, and all of a sudden he roared with laughter. (Dead to the World)
Jared glared. Some people, Kami knew, had bedroom eyes. She was saddened to have to admit that Jared had filthy alleyway eyes.
The more I have a sincere connection to something, the less acting is required. And the more it's about creating the space to feel that connection and to feel that shift from yourself. And start interpreting things through new eyes.
There are very few people who have committed more to the pro-life discourse than Rob has. He's spent time in jail. He has really lived it. He has committed everything he's had to it. If in fact he believes that every human life was sacred, I knew that if he had his conscious awakened, I knew he wouldn't be able to close his eyes to it.
A wind blew, and the sand around his drawing scattered. He wrapped his fingers inside his wife's, and Father Time rekindled a connection he had only ever had with her. He surrendered to that sensation and felt the final drops of their lives touch one another, like water in a cave, top meets bottom, Heaven meets Earth. As their eyes closed, a different set of eyes opened, and they rose from the ground as a shared south, up and up, a sun and a moon in a single sky.
I'll tell you what's crazy: Nobody in my family is musically inclined, no form, fashion, anything. I always had some type of connection to music though. This was long before I ever knew that I could sing, or I ever even tried to start singing. It was something different, man, it made me feel some type of way.
He stepped toward her, and her heart just ached from it. His face was so handsome, and so dear, and so perfectly wonderfully familiar. She knew the slope of his cheeks, and the exact shade of his eys, brownish near the iris, melting into green at the edge. And his mouth-she knew that mouth, the look of it, the feel of it. She knew his smile, and she knew his frown, and she knew- she knew far to much.
When I woke up in you, Cassie. I wasn't fully human until I saw myself in your eyes." And then there are real human tears in his real human eyes, and it's my turn to hold him while his heart breaks. My turn to see myself in his eyes.
Her green eyes came unafraid to his. The connection was so intense that it threatened to drain his sense of self. He felt that he had always known her, that she had always been a part of him, that her needs were his needs.
Jem’s eyes had widened, and then he’d laughed, a soft laugh. “Did you think I did not know you had a secret?” he’d said. “Did you think I walked into my friendship with you with my eyes shut? I did not know the nature of the burden you carried. But I knew there was a burden.” He’d stood up. “I knew you thought yourself poison to all those around you,” he’d added. “I knew you thought there to be some corruptive force about you that would break me. I meant to show you that I would not break, that love was not so fragile. Did I do that?
I don't feel a connection with younger people or with Generation X, or any generation, I feel. If I felt a connection with people my age I wouldn't have written six books about feeling depressed, alienated, lonely. If I did I would have many friends and feel connected with them and probably be a happy person who has a real job.
If a fan approaches me and I feel like they have some kind of agenda, I'm probably gonna get real closed-off and not talk to them. But if I feel a connection with someone, or if I feel a certain trust with somebody, I feel like, 'You know what, I can open up to this person and tell them about an experience.'
Love to his soul gave eyes; he knew things are not as they seem. The dream is his real life; the world around him is the dream.
I had a cheat sheet because I knew Tarell [Alvin McCraney]. His movie is largely autobiographical. I knew about certain events in his life and some of the people he talks about. I had visited the place where he lived many times so I understood innately what that was.
Obviously because of my personal connection to Mandela and having had his story as part of my childhood, I knew how awesome he was.
After spending most of her life scanning the horizon for slights and threats, genuine and imagined, she knew the real threat to her happiness came not from the dot in the distance, but from looking for it. Expecting it. Waiting for it. And in some cases, creating it. Her father had jokingly accused her of living in the wreckage of her future. Until one day she'd looked deep into his eyes and saw he wasn't joking. He was warning her.
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