A Quote by Kathleen Robertson
For whatever reason I tend to get roles that are more damaged.
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I guess the characters I play may be at the more destructive edge of the spectrum, more damaged or whatever, but I find a lot of female roles uninteresting.
I do get offered a lot more roles than I choose to do. I'm very busy as a producer and a writer, especially with my Internet stuff, and I tend to only accept the roles that I know will have an impact and has a fanbase.
The more you want it [romantic relationship], the more you are looking for it, the more you repel it for whatever reason. I don't know why. If you kind of create this vacuum, let life take its course, then you tend to free yourself up for the unexpected.
The nature of the business is that, once you start proving yourself and the more roles you get, the more exciting the roles that you're able to go out and do auditions for, or that you're being offered, get. You have more choices.
I think that women don't bother disguising their desire and pleasure in dressing up, and that men, for whatever reason, tend to be a little more embarrassed.
The kind of roles that I'm right for on stage tend to be quite young, and ingénue roles can be a little unfulfilling. They tend to fall into one slot: play the innocent young girl who comes on and does a lot of crying.
I tend to land roles that are somewhat villainous for some reason. Usually, people blame it on the accent.
When you get into your 40s, the roles do tend to drop off, and I've seen it happening to friends of mine. Hopefully it is improving, and there are female TV executives now who are championing women of all ages in leading roles. But I'm not counting on it.
For whatever reason, I tend to get reporters who are maybe in the middle of intense therapy, and they turn what's supposed to be a professional interview into therapy for themselves.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I guess, and it may be a flaw, that I think about rhythm more [than anything else]. I'm always wanting to find something unusual. I've started to try and write more traditionally, but for whatever reason, I tend toward trying to find something that sounds more like a pattern to me.
I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
I generally play villains once every three or four years by choice because I get offered villainous roles a lot, because of the way I look and whatever. And I tend to avoid them because I think you can end up in a cul-de-sac of your own making if you're cast in that.
Social psychology has found the more you reward people for doing something, the more they tend to lose interest in whatever they had to do to get the reward.
Playing roles that are intense and damaged has always come more easily to me than doing comedies or lighter stuff - that would be taking a huge risk for me.
I don't want to be pretentious about, "yes, I need to move in to the more dramatic roles and express myself and prove to everyone that I'm capable of doing it," it really isn't that, I think that's a bad reason to choose roles. It's more like, who would I be working with and would they be fun to do and entertaining to watch, is it an interesting story or character.
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