A Quote by Kathleen Turner

I never took to Hollywood. — © Kathleen Turner
I never took to Hollywood.
Hollywood, for me, is the studios. It's a way to produce. It's a different way to make movies, and I never took part in that.
Hollywood never suited me, I didn't ever feel comfortable with it, it took me a couple of years but I found where I was always meant to be... Chiswick!
Somehow, Hindi movies never took me in the same way Hollywood films did. Even at the age of five or six, I could see the difference in the quality of execution.
I have a big box of autographs. I took photographs of me and Marlene Dietrich, me and Ida Lupino. I took pictures of Myrna Loy and Joel McCrea in front of the studios. I loved Hollywood. I have 500 autographs and 500 photographs I took.
The irony is I did an intimate film in France with no stars and that got me to Hollywood. It got me to the Oscars. If I had tried to imitate the Americans or the Hollywood movies with a commercial recipe, I'd never have gotten to Hollywood. Although, it was not my goal in any way, and I never thought there was any connection between Monsieur Lazhar and the Oscars.
I live in Hollywood, but you can't make me love Hollywood. I'll never love Hollywood.
The most remarkable thing about Hollywood is that it does not exist. ... Hollywood, in a word, has no center, never had one, no city hall, court house, church, square, or rather it probably has some of those but they're so aimlessly thrown in with the general jumble ... that I, for one, never found them.
Hollywood has always been good to me. I've never blamed Hollywood for my problems.
I drew a line for myself. I never dated anyone that could hire me when I was first in Hollywood, and I think that kept me focused on what I was there to do and how I wanted to go about it. I took it a step at a time.
I never 'went Hollywood.' Perhaps some of my behavior was detrimental to my career, but I couldn't go the route of Hollywood parties.
Hollywood's martyr-mythology leaves out the fact that the famed Hollywood Ten, for example, were in fact members of the Communist Party, which advocated the violent overthrow of the U.S. government in violation of the Smith Act and which took orders directly from Moscow.
When you think about it there's never really been a realistic exposition of Hollywood, I mean - from the inside - showing Hollywood what it can do, what it has done, to people.
Hollywood loves pre-validation. Even if someone has a property that was first published as a comic book that sold only 5,000 copies, for Hollywood, that is a stamp of approval. 'Oh, it was already published in another medium? Must be good!' They get assurance from knowing that someone else already took the risk.
I never wanted to return to Hollywood because Hollywood people and the fakeness - very artificial and not dear to my heart. After I lived in the Midwest, and I learned what sincere, real people were all about, I never wanted to go back.
I heard some famous people had an anniversary, five long years together, it was Hollywood history. Now my grandma and grandpa never made no printed page, but they took the love of 57 years right to the grave.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
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