A Quote by Kathleen Turner
I know there are nights when I have power, when I could put on something and walk in somewhere, and if there is a man who doesn't look at me, it's because he's gay.
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I know there are nights when I have power, when I could put on something and walk in somewhere, and if there's a man who doesn't look at me, it's because he's gay.
When I'm really hot, I can walk into a room and if a man doesn't look at me, he's probably gay.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
Man, if I get a chance to speak on the microphone, I've got to say something somewhere in there. You know, I'm going to laugh and have fun, too, but something has to be said that has some substance, because this is a platform, and the power that we have with words and with this microphone is phenomenal.
Sometimes people think I'm gay. A lot of people have asked me if I'm gay. I answer, 'Look, not to my knowledge. But I'm still young, it could be that in the future, I'll find out that I'm gay.'
And there you have it...if I knew that I could only have a few nights in that man's arms or nothing, I would take those magic nights and use them to keep me warm for the rest of my life.
I could stifle my voice, or strip it. I know that I could, because we can do anything we put our minds to. I know that I could, but it feels very unnatural for me to strip my prose like that, in part because place is so important to me.
We walk, and our religion is shown even to the dullest and most insensitive person in how we walk. Or to put it more accurately, living in this world means choosing, choosing to walk, and the way we choose to walk is infallibly and perfectly expressed in the walk itself. Nothing can disguise it. The walk of an ordinary man and of an enlightened man are as different as that of a snake and a giraffe.
I have no idea why gay men love me, but I would have to assume it's because they know how much I love the gays! Everyone needs a good gay man in their life.
Put on a camera and put on some whatever, and you're an actor. Put me in a cage, I'm a fighter. Put me somewhere else - I'm in an ocean, I'm a surfer. I don't know what I am, I just do it all. And I want to be good at everything.
If I could take all my parts with me when I go somewhere / and not have to say to one of them, ‘No, you stay home tonight, you won’t be welcome’/ because I’m going to an all-white party where I can be gay but not Black / Or I’m going to a Black poetry reading, and half the poets are anti-homosexual / or thousands of situations where something of what I am cannot come with me / The day all the different parts of me can come along / we would have what I would call / a revolution
I have some good friends of my own who happen to be gay, and when it comes to gay, straight, or whatever, I'm for anything life-affirmative. I'm for gay power, straight power, male power, female power; everybody should feel empowered without oppressing anyone who's different.
I have some good friends of my own who happen to be gay, and when it comes to gay, straight, or whatever, I’m for anything life-affirmative. I’m for gay power, straight power, male power, female power; everybody should feel empowered without oppressing anyone who’s different.
I didn't play the Ghost Rider in the first movie. That was a stuntman. In this film, the Ghost Rider feels much more alive because I did put some thought into how he should walk and into how he should move. I was so into the character, in fact, that I would paint my face with white and black makeup to look like a skull. And I put on blacked-out contact lenses, so I almost looked like an Afro-New Orleanian voodoo icon by the name of Baron Samedi. Oh man, I would walk around the set without saying a word to anybody, and I could see the fear in my co-stars' and co-directors' eyes.
I take good care of my things. I put everything in a bag. I use soap. I put on a cream after training. People think it's capricious. To each his own. Doesn't mean you're more man or less man, more gay or less gay.
Maybe . . . because for the first time . . . there was a chance I could keep him,” I say. “So now that you've got me, what are you going to do with me?” “Put you somewhere you can't get hurt.” And when he kisses me, people in the room actually sigh.
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