A Quote by Kathleen Turner
I often play women who are not essentially good or likable, and I often go through a stage where I hate them. Then I end up loving and defending them.
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When I was a baby, I was on a tennis court every day with my mom and with my brothers, so I would pick up the balls for them when they'd play, and then sometimes I'd play with them, but not very often.
There's a common problem: if a kid is not good at exams, they often think they are not skilled. Yet many of them do have the skills employers are looking for - but often we don't show them that, or teach them how to develop them, or celebrate them.
He feared me as many men fear women: because their mistresses (or their wives) understand them. They are scarcely adult, some men: they wish women to understand them, and to that end they tell them all their secrets; and then, when they are properly understood, they hate their women for understanding them.
I normally go through every single line as part of my warm-up before a show. When I'm working on a film or TV programme, there often isn't a rehearsal, so I tend to learn my lines much later. They are often shorter, too, so they're essentially just there.
I hate holidays because one expects them to be perfect and so often they are not. There's the build-up, the looking forward to it and wanting everything to be right, but so many things can go wrong and then it can be such a disappointment. I find the expectation is usually bigger than the result.
I know there are certain men that hate women or don't like women, and in order to make women feel small, they tend to isolate them when they bully them. And women are often humiliated by it and feel they can't do anything about it. So my advice to women would be: there's always support around for those sorts of things and if you feel you're isolated in any way, or being bullied, you must talk to someone about it.
if you hated white people, they would just hate you back, and nothing would change in the world; and if you didn't hate them after the way they treated you, you would end up hating yourself, and nothing would change that way, either. So it was no good to hate them, and it was no good not to hate them. So nothing changed.
Too often, they play to whatever group is the loudest down at City Hall, and they buy them off, essentially.
I have the embarrassing thing where often if you're watching a film, you kind of go through the emotions and the thought stages that your character went through, but you sort of do it with Tourette's. So I end up often crying when I'm crying, and looking angry when I'm looking angry, so it's pretty ugly.
When women negotiate they are often viewed as pushy, but if you think about the way women are viewed at large: we are nurturing, helpful, motherly. Those are all stereotypes, of course, but if you play into them you don't face the same penalties. I struggle with this because I hate the fact that because I am a woman, I am supposed to smile when I go into a negotiation. But it's been shown to work. I shouldn't have to smile, but if doing so means that I am going to get the money and rise in power, then I see it as a necessary evil. Once we're in power, we can have resting b*tch face all day.
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, I'm your mirror; if I can do this in my life, you can do it in yours.
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, 'I'm your mirror; if I can do this in my life, you can do it in yours.'
The kind of loving women and men have in them and the ways it comes out from them makes for them the bottom nature in them, gives to them their kind of thinking, makes the character they have all their living in them, makes them then their kind of women and men and there are always many millions made of each kind of them.
Women, who are the prime victims of religion, and perhaps in some, stockholm syndrome effect, often form the most fervent advocates of the very thing that degrades them. I believe that in the end, it will be women who will turn this around. This should be the final stage of feminism. For a feminist to still believe in god is like a freed slave still living on the plantation.
You end up loving every character that you play but a lot of the people I've played, I should just say for myself, I played, I wouldn't necessarily want to continue playing them. I've done them. It's like going on a trip. You go, you're amazed, you're glad you're there but you're glad to get home. And that's how I feel most of the time.
What often, too often, happens in magazines is that you end up with a great editorial product, and then you're selling things that you don't really approve of.
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