A Quote by Kathleen Turner

I never feel more alive than when I'm on stage. On film you feel chopped up, you can be acting from the neck up, or the hand, there is a lot of close up. — © Kathleen Turner
I never feel more alive than when I'm on stage. On film you feel chopped up, you can be acting from the neck up, or the hand, there is a lot of close up.
I'm involved with projects that strike up a passion with me, that stir up completion inside of me. People come at me and go, 'My job makes me feel alive.' OK, well, good for you. My job doesn't make me feel 'alive,' my job makes me feel alive!
Being in front of an audience makes me feel alive. Being with friends makes me feel alive. I’ve done some crazy stuff in my time and yet I can feel infinitely alive curled up on a sofa reading a book. So, what makes me feel alive? I guess it’s realizing I am part of the world around me.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
No matter how I feel, I get up, dress up, and show up for life. When I do, the day always serves up more than I could have hoped for. Each day truly is a slice of heaven. Some days the slices are just smaller than others.
No matter how bad you may feel, get up, show up, dress up, and never, ever give up.
I have stupid neck. Look it up. You can look up 'stupid neck,' and it'll probably be a picture of my neck. Just do me a favor. Look it up, and you'll realize that the WWE will never clear me to compete again.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
If I do a film and have to get naked, that tends to dictate how often I go to the gym. Acting in 'Richard II' on stage was a huge physical workout, so I ended up more toned than I normally am.
I'm living in Sydney now - but you know when you've grown up in a certain place and you end up living in another, you never really quite feel like it's home. You feel like a bit of an impostor. I feel like I'm in a place that's moving faster than I can swim.
I could be really sad and I start to cry; I feel alive then. I could be at a concert and I throw my hands up in the air and I feel elation; I feel alive then.
I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.
With acting it's your neck up there in the end. And if you think the director can't help you it's one thing. But if you feel they're reining you in when they need to be giving you some rope, or vice versa, then I just don't tolerate that.
I'm planning some films in the U.K., and it will have pros and cons. It takes a lot more time to set up a film in the U.K., because you can't rely on much. In Greece, friends show up and bring what they can and you make the film. Well, that's a bit simpler than how it really is. But when you make a film with proper industries, it takes more time to synch all these things.
A lot of women do stand-up as a gateway into acting, but I love stand-up, and to be a good stand-up, you have to go on the road a lot. It means going to places in America where they've never seen a Vietnamese person in their life.
At this point, I feel fairly comfortable in terms of performance. I think having a sketch background actually helps a lot. Because my background is acting, and stand-up, in a lot of ways, is acting.
When I have a particular case in hand, I have that motive and feel an interest in the case, feel an interest in ferreting out the questions to the bottom, love to dig up the question by the roots and hold it up and dry it before the fires of the mind.
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