A Quote by Kathleen Turner
I figured as I got older, the good roles for women would be in the theatre. So 15 years ago I started building a Broadway career to try and develop the chops to be accepted as a great theatrical actress.
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It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
When I started in the business, years ago, people would always say, "You better get as much work as you can now because, once you get over 40, it's over." I don't see that with TV. Maybe it's because I am getting older, but the kinds of roles I'm drawn to are more mature roles.
Now, there are roles which are capturing a vibrant moment in an older woman's life. There was a time when those interesting roles stopped at 28. A few years ago we would have been finished by our age.
I started in theatre when I was 13 or 14 years old and did a lot of theatre until my early thirties. Off-Broadway stuff - off-off-off-off-Broadway stuff - and I do love it.
I'm definitely nervous and excited. I feel like I've been playing off-Broadway, not to say that Boston doesn't have a great theatre district or great theatre, but it's not going to Broadway; it's just a different city.
I also grew up building theatrical scenery. I spent many years building scenery as a large part of my income and that allowed me to really develop my shop skills.
I had no idea of being a star, all I knew was that I wanted to be a great actress, I wanted to work as an actress. So I thought the way I would be a great actress was to sing and dance first. Lay a foundation - get my foot in the door, and then undoubtedly, of course, I would be offered great roles as soon as I grew up enough to handle them.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
When I started, I was a theater actress, and there were roles that I couldn't imagine not playing, like Rosalind in 'As You Like It.' I used to think I would die if I could play that. But then I started doing movies, and I had children, and I moved to Los Angeles. And now I kind of can't remember what those roles would be.
From musicals to plays, I was part of all things theatrical all through my school life in Chandigarh, and this helped me develop a strong love for theatre and acting. Even during college, I was active in the theatre scene and even founded two theatre groups.
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
A few years ago, when I had no work and started believing that films weren't a viable career, I thought of finding another job. I started training and riding horses and got consumed by that. It was a boon in disguise.
When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.
I've really had a great career. It's been part fortune and part my own choices that steered my own career into playing the great roles that I've played on stage in Australia and at the National and West End in London and on Broadway.
You know, this is a business where only 15% make a living wage and only 9% of those are women. But I figured somebody has to be that 15%, somebody's got to be one of those women.
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