A Quote by Kathleen Winsor

Charm is the ability to make someone else think that both of you are pretty wonderful. — © Kathleen Winsor
Charm is the ability to make someone else think that both of you are pretty wonderful.
Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, 'I don't buy it.' Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head—even if in the end you conclude that someone else's head is not a place you'd really like to be.
Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head.
It's a sort of bloom on a woman. If you have it, you don't need to have anything else, and if you don't have it, it doesn't much matter what else you have. Some women, the few, have charm for all; and most have charm for one. But some have charm for none.
Anytime someone can beat the acting out of someone else, I think it's a wonderful thing.
Anytime someone can beat the acting out of someone else, I think its a wonderful thing.
As I've written before, China's ability to be the assembly line to the world wasn't where its role in the global economy ended; it was where it began. An ability to make products cheaper than anywhere else gave way to an ability to make high end products more nimbly than anywhere else.
Be independent and don't try to think someone is going to save you or look to someone else to make you happy or look to someone else to complete you.
Charm is the ability to make others forget that you look as you do.
Though it's marvelously entertaining, and I had fantastic fun writing the book, it's not terribly easily, the material, and it's not all that familiar...although we think it is familiar. The processes of the wonderful narratives are very intricate. It's about the charm - the spellbinding charm - of ingenuity, and it's not so easy to remember the plots or the structure or even the names.
And it's okay if you have to go away Oh just remember the telephone works both ways And if I never ever hear them ring If nothing else I'll think the bells inside Have finally found you someone else and that's okay Cause I'll remember everything you sang ((You and I both))
I read the book and I think, "Well, this is the movie we're going to make," and then someone else reads it, and they take a completely different movie from it. And both are valid.
Everyone has a right to be interested in himself, and I am confident that God wants us to be interested in ourselves first; that is, the first soul that anyone should bring to God should be his own soul. We cannot do very much for anyone else until we have first done something for ourselves. That is, it is pretty difficult to give someone else an education unless we have some education ourselves. It is pretty hard to get someone else to think unless we ourselves are thinkers.
The saying of John Peale Bishop is worth recalling, that the South excelled in two things which the French deem essential to civilization: a code of manners and a native cuisine. Both are apt to suffer when life is regarded as a means to something else. Efficiency and charm are mortal enemies, and Southern charm indubitably derives from a carelessness about the efficient aspects of life.
The ability to absorb a book and make someone else's words and story your own was exactly was I was doing on stage.
My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is.
i think charm is the ability to be truly interested in other people
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