A Quote by Kathryn Hahn

There was something about the Cleveland Play House that was the holiest place - you know, with the ghost light on the stage and the brick. It was just the most beautiful theater in the world.
I didn't know I wanted to go into entertainment, but I knew I wanted to be on stage when I was about seven. I saw a play, like most kids do, at a children's theater in Cleveland, and I just saw them up there, and I thought, 'that's where I want to be.'
I had begun my professional career when I was 9 years old at the Cleveland Play House, and it was a very specific, real theater sort of like, you know, in England and the Berliner Ensemble - very devoted people. And I thought the theater was the greatest place I had ever been, and that's what I wanted to do.
One of my favorite things to do, when the ghost light is on and it's just an empty stage - I'll let my shadow spread right across the theater, and I just say to myself, 'For the next few hours, these folks are my responsibility. I get to share in something that is unique.' It's like church.
Here's something else to think about: calling when you say you're going to is the very first brick in the house you are building of love and trust. If he can't lay this one stupid brick down, you ain't never gonna have a house baby, and it's cold outside.
Take some wood and canvas and nails and things. Build yourself a theater, a stage, light it, learn about it. When you've done that you will probably know how to write a play.
Baltimore is one of the most beautiful towns, really. And trust me, I don't say that about every place. There is just something so quaint, old and beautiful about this place.
So what's so enticing about doing a play is that you get to do that thing that got you into acting in the first place... There's a real attraction to being able to play, to just play. And that's something that theater affords you.
Factually, the Temple Mount is the precise location of the Temple. It's the holiest place in the world for Jews. It's the third holiest place for Muslims. And we need to respect each others' rights, freedom of religion.
From the time I made my announcement that I was going to be an actor, I auditioned for community theater, did shows at Greenbrier, interned at the Cleveland Play House for a summer, took voice lessons, took ballet lessons. I did everything that Cleveland allowed me to do - everything that was available to me.
People may know me from films, but theater is my first love. I did about 35 plays before I even landed my first screen role. I'm very comfortable on stage, and theater is not something you can just wing.
I guess there's this mind shift that happens once you're on stage. I don't know, chemicals, something happens and you just... I just become completely in control of where I am. And it's all about trusting the people that you're on the stage with, listening... and it just falls into place really easily.
I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.
I think film is a world of directors. Theater is a world of actors. Or, theater is for actors as cinema is for directors. I started in theater. Filming is as complete as directing film. In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that. So, you are given all the tools.
A stage play is beautiful only when it is seen as a stage play, just like you cannot get the same effect of a live Bharatanatyam performance in a recording.
What brought me to the theater, no matter you're a Jew or a Russian or Armenian or Latvian, are suddenly illuminated by stage light and one beautiful image of dance.
When a theater goes dark for the night, a stagehand leaves a lighted lamp on stage. No one knows why any more, but some old timers say it is to keep the ghosts away. Others say it lights the stage for the ghosts to play. Whichever theory one adheres to, most people agree: a great theater is haunted.
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