A Quote by Kathryn Harrison

When I was eleven, my mother gave me Robert K. Massie's 'Nicholas and Alexandra.' It was the first 'grownup' book I read, and I loved it. — © Kathryn Harrison
When I was eleven, my mother gave me Robert K. Massie's 'Nicholas and Alexandra.' It was the first 'grownup' book I read, and I loved it.
My first favourite book was 'Are You My Mother?' A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably 'Charlie and the Chocolate Factory.' A librarian gave me a first edition of that book, which I treasure.
My first favourite book was Are You My Mother? A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably Charlie and the Chocolate Factory. A librarian gave me a first edition of that book, which I treasure.
The last book I read before I wrote my first book - 'Ghosts of Manhattan' - was 'The Gold Coast' by DeMille. I loved it, and it gave me a lot of energy to start into my own.
I'm obsessed with Nicholas Sparks. I've literally read every single book, because every time I travel, at the airport, I always buy a new Nicholas Sparks book.
The book I always say that influenced me, subconsciously, because at the time I didn't know I wanted to be a writer, was William Goldman's 'Marathon Man.' That was the first adult thriller that I loved. I read it when I was 15 or so, when my father gave it to me.
You never forget the books you loved as a kid. You never forget the poems you memorized, the first book you read until the cover fell off, the book you read hidden from your mother. What an honor to hold hands with a child's imagination in this way.
When I read Jerome D. Salinger's "The Catcher in the Rye" that was the first time I felt my mind blow open. I thought that book was speaking to me. I was 12 or 13 when I read that. I read everything on my mother's bookshelves.
I reread 'Nicholas and Alexandra' in my early twenties, and I never forgot the story.
I've always thought that if my death was imminent, I would read. When I can't focus on a book, I tend to keep reading the same page. My guess is, I would've read, like the first page of Nicholas Nickleby over and over again.
I was raised pretty much a fundamentalist, but the one thing that fundamentalism gave to me was the love for that book and a commitment to read and study it. The difficulty is that I've read it all, I didn't skip around, I read it all, and when you read it all, you can't take it literally because you don't want to blame God for a lot of stuff that occurs in that book. There are some pretty violent scenes.
I don't want to dis anybody, but someone like Robert Parker. I first read a Spenser book maybe 20 years ago and then read every one that came out. I did that with Tony Hillerman too.
I read the first book about five times while I was preparing for the role. I really wanted to completely embody Lissa and, naturally the book gave me much deeper psychological and emotional insight into Lissa than the script.
For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
I had my Olympic gold medal cut up into eleven pieces. Gave all eleven of my kids a piece. It'll come together again when they put me down.
I read a lot of books about psychopaths. I read a wonderful book Amy Hempel gave me about the guy who created criminal profiling - a fascinating book, 'Mind Hunter.'
The first comic I can remember ever reading was a 'Fantastic Four' issue that my dad bought out of the drugstore once. The thing that struck me about it was that the ending wasn't an ending. It was essentially a cliffhanger. It was the first time I had ever read anything like that, where you read a book, but the book isn't the book.
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