A Quote by Kathryn Newton
I've never looked at acting like a job. It's never been like that.
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I never thought acting would be a realistic job for me. Because, quite frankly, I didn't see people who looked like me doing it. I quickly realized, that's all the more reason to try.
I have never looked into my sister's eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to the beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or a solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially.
I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
I've been asked which of the other arts novel-writing is most like, and I have come to believe it is acting. Of course, in terms of pattern it can be like music, in terms of structure it can be like painting, but the job to me is most like acting.
I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view.
I got scouted when I was 16, almost 17, and it was something that had never entered my thoughts. I never thought I could be a model. I was such a tomboy growing up, and I've never really been into makeup or anything like that, so it was really surprising, but I definitely saw it as an in for acting.
As a songwriter, you're never off - for me, anyway. There's a certain mentality of people that decide, "Oh, we're going to try to write songs from this time of the day to this time of the day." Almost treat it like a real job. I can't do that. I've never been able to write songs like that. You never know when something creative is going to hit you, or emotion or whatever. You can take it, and turn it into something that makes somebody feel something. I love that about my job.
Never work against what you are. I never have, and I've never minded being typecast. Some of my agents have been like: try and change, Victoria. Cut your hair off, colour it, have a breast reduction.You have to this and that, to get a serious acting role. But I would rather use what I am to my advantage.
Make love like you have no secrets like you've never been left never been hurt like the world don't owe you a single wretched thing.
Bob Dylan had been a big sort of presence in my life but I'd never quite registered what he was trying to tell me. He was always this kind of figure, a sort of bear-like figure in the corner of the room. You know, every time I imagined what Bob Dylan looked like, he looked a bit like Steve Earl used to look - with the beard.
At that age, filming Harry Potter, I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view. And so when Jason Isaacs started throwing up these ideas, I thought, "Whoa. What an interesting way to look at acting." Which is why, again, I would do theater.
I've never been fired from an acting job.
I don't like acting and I never have liked acting and I never wanted to be an actress.
I've never looked at my job as pressure. It's always been fun, a privilege.
I like doing everything - theater and film, radio and TV, comedy and tragedy. I love it all. And I've never really planned anything - I've always looked at my job in a rather simplistic way. It's like being a plumber. One day you might be fixing an early 20th century showerhead that requires real detailed work. The other day you might just be clearing a sewer. Both jobs are very different, but all the tools come out of the same box. That's the way I look at acting.
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