A Quote by Kathryn Stockett

Why don't we just build you an house outside Hilly? — © Kathryn Stockett
Why don't we just build you an house outside Hilly?
Everyone talks about, 'Get your foot in the door,' but I never understood that mentality. Why would I want to go in that house? Why not build my own house? Why not take a chair and smash a window?
My mom used to be concerned 'cause I would never go outside. And when I'd go outside, I'd have friends, but I just was always in the house listening to music, practicing DJing all the time. Then my uncle got a keyboard, drum machine, so I'd just be in the house at 12, 13, just, like, messing up his presets. And my mom was like, 'My son is strange.'
If you put someone in a room with no script to direct, they're just going to sit there. Writing scripts is the execution for a show. Then the director takes that and hires people. It's like trying to build a house without any bricks. You need the script. I could build the house, but I have to know how.
Regard it as just as desirable to build a chicken house as to build a cathedral.
What you need to do is build the house you will live in. You build that house by laying a solid foundation: by building physical, emotional, mental, and spiritual health.
I love the theater. I love the rehearsals. That's where you build a performance. That's your foundation. If you're gonna build a house, you start with the foundation. That makes the house strong. That's the way I build a character, from the foundation out.
The actual sight of a first-class house that a Negro has built is ten times more potent than pages of discussion about a house that he ought to build, or perhaps could build.
Why should there be the method of science? There is not just one way to build a house, or even to grow tomatoes. We should not expect something as motley as the growth of knowledge to be strapped to one methodology.
I was very lucky to be offered a lovely piece of property to build a career on. I started building a house on it, but it wasn't necessarily a house I would want to live in. So I ripped down that house, and I worked with these great lumberjacks to build a really cool cabin-a place I want to drink whiskey in and hang out until the sun rises.
You have that moment just before you go on - I've had it in every play - where you just kind of want to run away. There's a whole audience, and they are waiting outside, and you're like, 'Why am I doing this again? Why? Why?'
A lot of people don't know I'm from the West Coast. My swag is different. Me being from Young Money, affiliated with them, some people think I'm from down South. They think maybe I'm from New Orleans like them. It's just good to show people and build outside of Young Money, build my brand outside of that.
My mom just recently reminded me that I used to build these little miniature worlds outside at our country house and populate it with little figures.That whole thing [shooting is] about trying to create a world - there's something very connected to childhood and reverie and daydreaming and fantasy.
Regard it as just as desirable to build a chicken house as to build a cathedral. The size of the project means little in art, beyond the money matter. It is the quality of the character that really counts.
I liked the idea of architectural games - you're always building and rebuilding. And I still thought of myself in opposition. I thought, If architects build a dream house, then I want to build a bad-dream house. My piece was called Bad Dream House.
I bought some land in Portugal, on the highest hill in Guimaraes, because I pictured that I wanted to build my house there. I said, 'What a perfect place this would be,' but I forgot to ask the council if I could build a house there. When I did, they said, 'No!'
Of course, in order to build something new, one has to economize, accumulate means, temporarily limit one's requirements, borrow from others. If you want to build a new house, you save money temporarily and limit your requirements, otherwise you might not build your house.
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