A Quote by Kathryn Stockett
At one O'Clock, Miss Celia comes in the kitchen and says she's ready for her first cooking lesson. She settles on a stool. She's wearing a tight red sweater and a red skirt and enough makeup to scare a hooker.
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She's wearing a tight red sweater and a red skirt and enough makeup to scare a hooker.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
Hannah Storm in a horrifying, horrifying outfit today. She's got on red go-go boots and a catholic school plaid skirt ... way too short for somebody in her 40s or maybe early 50s by now...She's got on her typically very, very tight shirt. She looks like she has sausage casing wrapping around her upper body ... I know she's very good, and I'm not supposed to be critical of ESPN people, so I won't ... but Hannah Storm ... come on now! Stop! What are you doing? ... She's what I would call a Holden Caulfield fantasy at this point.
When Josey woke up and saw the feathery frost on her windowpane, she smiled. Finally, it was cold enough to wear long coats and tights. It was cold enough for scarves and shirts worn in layers, like camouflage. It was cold enough for her lucky red cardigan, which she swore had a power of its own. She loved this time of year. Summer was tedious with the light dresses she pretended to be comfortable in while secretly sure she looked like a loaf of white bread wearing a belt. The cold was such a relief.
She serves me a piece of it a few minutes out of the oven. A little steam rises from the slits on top. Sugar and spice - cinnamon - burned into the crust. But she's wearing these dark glasses in the kitchen at ten o'clock in the morning - everything nice - as she watches me break off a piece, bring it to my mouth, and blow on it. My daughter's kitchen, in winter. I fork the pie in and tell myself to stay out of it. She says she loves him. No way could it be worse.
My mom was an aesthetician and she went to beauty school back in the '60s. I just remember watching her do her makeup all the time. She always had her nails done, makeup on - her face was ready to go when she went out. I loved it.
Miss Celia stares down into the pot like she's looking for her future. "Are you happy, Minny?" "Why you ask me funny questions like that?" "But are you?" "Course I's happy. You happy too. Big house, big yard, husband looking after you." I frown at Miss Celia and I make sure she can see it. Because ain't that white people for you, wondering if they are happy ENOUGH.
My mother told me once that she had her talk with God whenever she started a new sweater: 'Please don't take me in the middle of the sweater.' And as soon as she finished knitting a sweater, and it was blocked and put together, she already had the wool to start the next sweater so that nothing bad would happen.
I pu my finger to her lips. "You have to hush a minute so that I can tell you something." "What?" she says, bites my finger. I look at her. "I love you." She gets quiet, the kind of quiet that sinks into her, softens her. "Well that works out," she finally says, her voice deeper and breathless, her eyes moist, "because I love you too." She turns, leans against my arm, and settles into me.
She said that she would dance with me if I brought her red roses but in all my garden there is no red rose.
I stopped. She was bleeding after all. Perfect lines crossed her wrists, not near any crucial veins, but enough to leave wet red tracks across her skin. She hadn;t hit her veins when she did this; death hadn't been her goal.
She wore a short skirt and a tight sweater and her figure described a set of parabolas that could cause cardiac arrest in a yak.
Little miss is taught by her mamma that she must never speak before she is spoken to. On this she sits bridling up her head, looking from one to the other, in hopes of being called to and addressed by the name of pretty miss.... But if this should not happen and no one should take any notice of her, she is ready to cry at the neglect. But should there be another miss in the room caressed and taken notice of whilst she is thus overlooked, it will be impossible for her to contain her tears, and blubbering is the word.
Never miss an opportunity to allow a child to do something she can and wants to on her own. Sometimes we're in too much of a rush--and she might spill something, or do it wrong. But whenever possible she needs to learn, error by error, lesson by lesson, to do better. And the more she is able to learn by herself the more she gets the message that she's a kid who can.
But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
She spent an afternoon staring at their front door. Waiting for someone? Yankel asked. What color is this? He stood very close to the door, letting the end of his nose touch the peephole. He licked the wood and joked, It certainly tastes like red. Yes, it is red, isn't it? Seems so. She buried her head in her hands. But couldn't it be just a bit more red?
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