A Quote by Kathryn Stockett

I started writing it the day after Sept. 11. I was living in New York City. We didnt have any phone service and we didnt have any mail. Like a lot of writers do, I started to write in a voice that I missed.
I started writing it the day after Sept. 11. I was living in New York City. We didn't have any phone service and we didn't have any mail. Like a lot of writers do, I started to write in a voice that I missed.
I didnt have any knowledge of the music industry when I first got to L.A., and I really didnt know on a creative level what I wanted to sound like, so I had to do a lot of experimenting. It led to a spiral of depression and being broke.
I didnt know any actors growing up. My dad was a builder, and we didnt know any arty types.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
John Wetteland had a very good curveball. He threw it for a strike, too, in any count, any situation. But, he really didnt use it much. He didnt want to throw it. He wanted to throw fastball-slider.
I live a fairly simple life, and that didnt change much after I sold TechCrunch in 2010. I didnt buy a new house or even a new car. The one thing I did splurge on was a boat. Nothing too fancy or large.
I didnt start doing graffiti until two years after I got to New York. Jean Michel Basquiat was one of my main inspirations for doing graffiti. For a year I didnt know who Jean Michel was, but I knew his work.
If you look at the history of communication, new technologies like the phone and e-mail didnt just let people do things faster; it fundamentally changed the scope of the kinds of projects people dared to take on.
Just recently Ive learned to be okay with myself without wearing makeup. I think it was a special someone telling me that I didnt need it. I started taking care of my skin and realized I didnt need as much as I thought I did.
I'd been coming to New York for weekends since I was 17, and after 9/11, I started making these trips more frequently, just to make contact with the city.
I didnt finish the stories until we went to the Philippines and I got malaria. I couldnt work and I didnt have any money, but I had seven stories. So I wrote three or four more.
After 9/11, I was like many people in New York City and got a little depressed. I began to check myself into The Waldorf Astoria for room service, movies and just to chill. I wanted to contribute to the great city of Manhattan.
I didn't realize what a love affair I would have with big city life until I got to New York City. In a place like New York, granted it's utterly unique, you can get and have and do anything you want at any time of any day. It's bursting with culture and the cream of the crop in all walks of life. That sort of energy really excites me.
Many years from now when your children ask what New York City was like just after 9/11, this will be the book you give them in response. It's an exquisite novel full of heart, soul, passion and intelligence, and it's the one this great New York author was born to write.
When I started writing, most of the police department in New York City, especially above the rank of detective, were Irish, Irish-American. I thought it would be more interesting... to use the actual ethnic background in New York City at the time.
I was so happy that it filmed in New York not only because it's an amazing city, but also because a lot of people across the world somehow started to think about New York as a dangerous place to be and envisioned it as some war zone after that happened.
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