A Quote by Kathryn Stockett

It can be really powerful to write something when you're sad. — © Kathryn Stockett
It can be really powerful to write something when you're sad.
It can be really powerful to write something when youre sad.
Whenever I write songs, it's my outlet for a certain feeling. I just don't as often feel compelled to write when I'm not really sad about something, or wanting to sort through something dark.
I just write about what makes me sad, and then when I write, I hear myself. It's like therapy, where I write something sad and then I make it happier or hopeful.
There are times when I'm really happy and I write something really sad, and vice versa.
Most people like the sad songs. Some of the oldest songs known to man are sad. Listening to a voice singing something sad is a really great way to help you to feel sad when you need to.
With sad music, or music that's perceived as sad, there's a sense of solidarity that can be really powerful. My songs are all joyful to me.
It's really easy to do sad; you just put on some sad music and write dramatically - everybody can do that.
It's a powerful thing to be able to write a song. Even the least powerful feeling - like insecurity - that makes you feel weak when you experience it, when you write about it, you are powerful.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
I only write when I'm angry or sad, so because that's when I just have to write... If I'm having a good time and I'm happy and things are going really well, why would I want to stop what I'm doing to go and write at the piano?
The saddest kind of sad is the sad that tries not to be sad. You know, when sad tries to bite its lip and not cry, and smile and say, "No I'm happy for you"? Thats when it's really sad.
Sometimes we get sad about things and we don't like to tell other people that we are sad about them. We like to keep it a secret. Or sometimes, we are sad but we really don't know why we are sad, so we say we aren't sad but we really are.
I was wishing I was invisible. Outside, the leaves were falling to the ground, and I was infinitely sad, sad down to my bones. I was sad for Phoebe and her parents and Prudence and Mike, sad for the leaves that were dying, and sad for myself, for something I had lost.
When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.
If I'm extra happy or excited, it'll take me an hour or two to write a song. Or, if I'm really sad or something, it will take me about a day. But I have a specific way of writing: I just listen to the beat. I think about what I'm going to write over the beat.
I have a really feminine voice, but I also feel quite powerful when I write. So my songs feel heavy, and that's how Banks sounds. It's a really short, powerful sound. It almost sounds masculine, and I like having that dichotomy.
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