A Quote by Kathryn Stockett
But certainly in my grandmother's time - and when I was growing up, yeah, Demetrie's bathroom was on the side of the house, it was a separate door. Still, to this day, I've never been in that room.
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When Demetrie got sick, we knew it was our responsibility to take care of her and pay her medical bills. And we embraced that. But the tricky part is, like so many families in the South, we also expected her to use a separate bathroom, to use separate utensils.
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
She was standing in the airport of Copenhagen, staring at a doorway, trying to figure out if it was (a) a bathroom and (b) what kind of bathroom it was. The door merely said H. Was she an H? Was H "hers"? It could just as easily be "his". Or "Helicopter Room: Not a Bathroom at All
... up to this date, I have never been shut up in a separate room, or hedged off with any observances. My study, all the study I have attained to, is the little 2nd drawing room where all the (feminine) life of the house goes on; and I don't think I have ever had two hours undisturbed (except at night, when everybody is in bed) during my whole literary life.
...being Lulu, it made me realize that all my life I've been living in a small, square room, with no windows and no doors. And I was fine. I was happy, even. I thought. Then someone came along and showed me there was a door in the room. One that I'd never even seen before. Then he opened it for me. Held my hand as I walked through it. And for one perfect day, I was on the other side. I was somewhere else. Someone else. And then he was gone, and I was thrown back into my little room. And now, no matter what I do, I can't seem to find that door.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
My father's motto has always been 'Room in the heart, room in the house.' As charming as this sounds, it translates into a long line for the bathroom and extra loads of laundry for my mother.
My favourite room in my house is easily the top room, which is a bedroom but also a bathroom, with a big, wooden carved bath, two huge fireplaces and a raised bit in the corner for performances. I've had some really lovely parties and poetry readings up there.
I missed the day in school where you subtract all the zeros. Let's say you subtract 10,000 minus 89. I never got the fact that you go next door and borrow a cup of coffee, and the zero changes to nine. For the longest time, I didn't know how to do it. I still to this day have been affected, and it was just one day they taught it. I was too afraid to say, "Why? What's going on with the zeroes?" So for the longest time, I thought that was a conspiracy.
It was at a performance art space that's no longer around, Gusto House... All of these great performers from all over the country lived on the Lower East Side, and they would take somebody's living room that opened right onto the street, open the door and charge tickets and put up chairs.
My grandmother's grandparents were slaves. My grandmother Big Mama would tell me about the stories she heard as a child growing up in the shadows of a North Carolina plantation. It's only been in my lifetime that blacks have had the right to vote, live in certain areas or hold certain jobs. It is with this black history that I write about the financial challenges African-Americans still have.
My grandmother's house - she ran it just like her grandmother and her great-grandmother. They didn't have electricity. They had wood stoves that never got cold.
My family spent many years sleeping side by side in the same room. It's important for me to not separate myself from them or to say that I've suffered more than they have because I'm gay. We all suffered from the same political rejection, and from poverty. When you're starving with eleven other people in the same room, you become connected to them forever. We were all hungry at the same time.
Every day at about four o'clock, I would go up to a farmhouse - or whatever kind of house was around - and knock on the door and say, "Hi, I'm biking across Canada, and I'm wondering if I could pitch my tent on your land." And sometimes people slammed the door in my face, but the vast majority of the time they said, "Of course," and then they said, "Come for dinner," and then they packed me food the next day and fed me breakfast and sometimes they got out the bottle of wine they'd been saving for a special occasion.
Stuart stands and says, 'Come here,' and he's on my side of the room in one stride and he claps my hands to his hips and kisses my mouth like I am the drink he's been dying for all day and I've heard girls say it's like melting, that feeling. But I think it's like rising, growing even taller and seeing sights over a hedge, colors you've never seen before.
When I was a kid, we actually lived in a house that had been divided in two at one point, which meant that one room in our house opened up onto a brick wall. And I was convinced all I had to do was just open it the right way and it wouldn't be a brick wall. So I'd sidle over to the door and I'd pull it open.
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