A Quote by Kathy Baker
I used to wish I would be a painter or a violinist, where maybe I wouldn't need to travel as much. Or maybe if I were a writer, I wouldn't need to travel as much. It's the travel that kind of killed me. And the hours. I always pictured if I were a painter you could make your own hours maybe... work after the kids were asleep.
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We would go back and maybe not say that thing to our dad that we said, or maybe be a little nicer to someone who we cared about and had a relationship with when we were young. You know, they're subtle things, but we carry those with us forever. And I think that regret and time travel are intrinsically linked to me.
Today, we know that time travel need not be confined to myths, science fiction, Hollywood movies, or even speculation by theoretical physicists. Time travel is possible. For example, an object traveling at high speeds ages more slowly than a stationary object. This means that if you were to travel into outer space and return, moving close to light speed, you could travel thousands of years into the Earth's future.
I don't know where this thing about me being a travel writer comes from. It's nothing to do with me; I hate travel writing. I don't do it - I do it a little bit, but not much. I don't believe in it. I think it's over. The world is so saturated now that you don't need it.
I was very excited when I first started to travel so much. In fact, I was amazed that people were paying me to travel to play the game I loved.
I travel so much for work that when I fly, I prefer to travel light and bring a carry-on bag that I don't need to check.
In the nineteenth century some parts of the world were unexplored, but there was almost no restriction on travel.:; Up to 1914 you did not need a passport for any country except Russia.:; The European emigrant, if he could scrape together a few pounds for the passage, simply set sail for America or Australia, and when he got there no questions were asked.:; In the eighteenth century it had been quite normal and safe to travel in a country with which your own country was at war.
If I had been a different sort of person, maybe less impressionable, less intense, less fearful, less utterly dependent upon the perceptions of others - maybe then I would not have bought the cultural party line that thinness is the be-all and end-all of goals. Maybe if my family had not been in utter chaos most of the time, maybe if my parents were a little better at dealing with their own lives maybe if I'd gotten help sooner, or if I'd gotten different help, maybe if I didn't so fiercely cherish my secret, or if I were not such a good liar, or were not quite so empty inside... maybe.
So let's not pretend that travel is always fun. We don't spend 10 hours lost in the Louvre because we like it, and the view from the top of Machu Picchu probably doesn't make up for the hassle of lost luggage. (More often than not, I need a holiday after my holiday.) We travel because we need to, because distance and difference are the secret tonic of creativity. When we get home, home is still the same. But something in our mind has been changed, and that changes everything.
Maybe the world wasn’t made of universals that could be summed up in neat little packages. Maybe there were just people. People who were tired and hurt and lonely and kind in their own way and their own time.
If I didn't travel so much, maybe my perfect Sunday would be skin diving on a coral reef - not scuba diving, as skin diving is more physical, and I prefer the lightness of it. Skin diving means wearing just goggles. Oh, I could wear some trunks, maybe.
The attributes you need to be a travel writer are somewhat contradictory. For travel you need to be tough and resilient and to write you must be sensitive and sympathetic.
When I read John Cage's book Silence, I was growing up in Louisville, Kentucky. For me, records were a mode of time travel and geographic travel, interfacing with a much larger world. So it seemed antiquated and backwards that Cage would be so down on them.
But there are times in life when a door opens and you are offered a glimpse of the light on the water, and you know that if you don't take it, that door slams shut, and maybe forever. Maybe you fool yourself into thinking that you had a choice at all; maybe you were always going to say yes. Maybe refusing was no more a choice than is holding your breath. You were always going to breathe. You were always going to say yes.
At one point, I wanted to be a wildlife photographer. I also love to travel, so maybe I'd do travel writing.
Of course there were times, particularly when you travel, when it's very tough to leave the kids, particularly when they were very young. I would try to take them with me when I could just so they could experience and see a little bit of what a work day involved.
Partly I think it's always a challenge to travel a lot. If I could choose to never travel again but still do all my shows - I mean, who wouldn't want to do that? That's the work aspect of it. Maybe people don't think about it this way, but it makes it feel like a job when you're playing late and getting up really early for a lobby call, and flying around.
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