A Quote by Kathy Bates

When I first went to interview for 'Misery,' they were saying things like, 'You're not Michelle Pfeiffer, you know.' And I just don't get the relevance of that remark. I'm not Elizabeth Taylor, either. I'm not Sean Connery.
Michelle Pfeiffer hasn't been finding a lot of work recently because she doesn't like what a woman her age is offered. That's a real double standard. You get Sean Connery, who gets older and older, still playing opposite young ladies, but it doesn't work the other way around.
There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
And they stuck to their guns and fought for Sean Connery, and they were right to fight for Sean Connery. If it wasn't for Sean Connery, we wouldn't all be here. I was raised to fight for what I believed in, so I wasn't going to give up. I wanted Daniel Craig, and Michael wanted Daniel Craig, so we just stuck to our guns. Fortunately, we had the right management who really stuck with us. Thanks to that, we got our choice. He's been an extraordinary Bond, and he is very much the right Bond for the 21st century.
When you see the documentary, you'll see that there were parallels. Michael and I both wanted Daniel Craig, and it was the same as it was for Cubby and Harry when they wanted Sean [Connery]. The studio wanted a star and wanted an American, and wanted this and that, but they determined, "No, it's Sean Connery."
When I first met Sean Connery he was as charming and wonderful as I first anticipated. I left Rome thinking: even if I don't do this, at least I have had a day with Sean.
Great movie stars like Audrey Hepburn and Elizabeth Taylor who were capable of saying so much without saying anything at all merely by carrying themselves in a classic fashion that's timeless yet relatable.
One of the biggest guys I worked with was Sean Connery. People like Sean, Michael Caine, Denzel Washington, they've been going for a long time, and not for nothing. They want to get this job right, and they realise the weight of responsibility on their shoulders.
He's a guy's guy, so it pretty much became like the impressions - don't imitate Sean Connery's voice, and things like that. We were all kind of doing it towards the end of the film, anyway, and he was cool with it.
I've had the good fortune of working with some amazing people. I mean, my first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
I've always had a thing for Catwoman. Michelle Pfeiffer or Halle Berry in tight leather pants, with the boots - I'm pretty good with either one.
Elizabeth Taylor is one of the great cultural icons. She is a part of our history and should be celebrated.… This presentation is very special for the community, there are so many people who want to understand this side of Elizabeth Taylor.
When I'm sat in the pub with my mates, they've got their stories: Richard and Tracy have split up, they went to Arsenal and this fight broke out... My anecdotes are like, 'I was in this bar, and Michelle Pfeiffer rang, and I had wax in my ear, so I couldn't hear what she was saying...'
My first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
If you ever hear anybody refer to Elizabeth Taylor as Liz Taylor, you can be pretty sure the person doesn’t know her.
You can always hear a director saying, 'Well I don't really know what this piece is saying, so therefore, I reject it.' There are any number of things you can anticipate going wrong, and sometimes they go right. But I think the things you like most are the things that get rejected first. That's just how things work.
I don't see it, but I'm flattered nonetheless. To look like Michelle Pfeiffer is quite nice.
This site uses cookies to ensure you get the best experience. More info...
Got it!