A Quote by Kathy Bates
People will come up, and they'll talk about 'Misery.' But a lot of people will talk about 'Waterboy.'
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A lot of guys come up talking about The Waterboy. I get a lot of that. Misery, Delores Claiborne and The Waterboy, those are the main ones I get.
I've come across a lot of people in my life who talk about poverty and talk about the poor, but you rarely have a sense that it matters to them to the point at which they will be willing to sacrifice something.
If you talk to a lot of people in government, they will talk about the pathway to getting something done rather than the thing itself. And I just talk about material outcomes.
If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate is telling people a lot. It has so little to do with me. I come up against a wall.
It's not necessarily a brave thing, people talk about what they think about. There's people out there who love to talk about politics or where they think the countries headed. I don't talk about that I talk about...things that are a little trippier.
It's hard to talk about childhood trauma. It's hard to talk about depression. It's hard to talk about anxiety. And we thought - I wonder if we just open up our subconscious and the things that we think about and hide from people every day and just let them come out in some of these lyrics.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
You know, you can talk about race, you can talk about sex, you can talk about your biopsy. But when you get into class, people kind of clench up.
In the theatre, people talk. Talk, talk until the cows come home about journeys of discovery and about what Hazlitt thought of a line of Shakespeare. I can't stand it.
I belong to a bowling team with black and Latino coworkers. And when we get together and we talk about politics - I'm almost quoting him - he said, we don't talk about Black Lives Matters. We talk about what matters to our families. We talk about jobs, and we talk about the fate of the country. That is America, and you can reach those people.
We wanted to talk about death in the DC Universe, and how some people go to get a pass and come back, and some people didn't. That opened up a whole other topic about legacy. We wanted to talk about what was required to be a hero, what were the elements of true heroism?
I think people talk too much; that's the truth of the matter. I do. I don't believe in words. People use too many words and usually wrongly. I am sure that in the distant future people will talk much less and in a more essential way. If people talk a lot less, they will be happier. Don't ask me why.
Sixty-five days principle photography, five-day weeks, which is the only way I'll work. With my cinematographer Russell Boyd, we take as much time as possible before pre-production, looking at stills. The next most important thing: he will come to me and talk about lenses. And I'll see his plan, which is generally great, and I might talk about how the light will be, handheld or not? I talk very freely, and try not to talk specifically, just talk around it, because it can unlock all sorts of things.
I think it's okay to talk about grief and sorrow. Especially for women, when you lose a child or have a miscarriage, it's good to talk about it, as a lot of people don't want you to speak about those things. It makes people sad, but sometimes you've got to.
People talk worse about people than they talk good about people, because a lot of people like drama.
My sexuality is something I'm completely comfortable with and open about. There's a lot of prejudice toward us but the more people talk about it, the less of a big deal it will be. And that will be better for everyone.
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