A Quote by Kathy Burke

I had this laddish way about me, with my deep voice and telling jokes all the time; I was Burkey, the little fella in a skirt. — © Kathy Burke
I had this laddish way about me, with my deep voice and telling jokes all the time; I was Burkey, the little fella in a skirt.
What scares me the most is that both the poker bot and Dropbox started out as distractions. That little voice in my head was telling me where to go, and the whole time I was telling it to shut up so I could get back to work. Sometimes that little voice knows best.
A little voice keeps telling me an Aston Martin really isn't me, but a louder voice is telling me that, as an England international playing for Liverpool, the old rules no longer apply.
With Twitter, it's a little harder to tell jokes that somebody hasn't heard already. You have all these people out there sharing their opinions and telling jokes in real time, and by the time you get on, somebody's already done some version of what you're trying to do.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
I would love to have a chat with Michael Jackson. For the sole purpose of seeing if he has a deep voice or not. A lot of people say he actually had a deep baritone, but then on TV he always had the high pitched squeaky voice. I would love to spend some time with him.
I have some speakers up here, thank God, because last night I didn't have them and I was telling jokes and I had no idea which joke I was telling. So I told jokes twice. I even told that one twice.
In a weird way, it's not different from any other kind of joke-telling. You make those calculations about jokes about celebrities: is this a fair hit or not? The stakes were higher because the whole world was crumbling around us, but in terms of joke-telling, it's all about feel.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
I hope I never have to stop acting. I love it. But, I think the coolest thing about acting is working with these amazing people all the time, and writing represented a new way to meet those people and to tell stories, at the same time, which I've always wanted to do, and to tell jokes. I love comedy, so writing was a way of getting these jokes that I had down on the page.
There, they tell me to wear the veil. Here, they are telling me to put my hips in a little girl's skirt, and I am this lovely full woman. You've got this Ph.D. and you're worrying, 'Am I skinny enough?'
I had to get the voice back, the precise pitch of Sid's voice and I'd forgotten that I'd pitched him higher than my regular voice, so that was a little difficult to begin with. It was especially hard because we started recording in the morning so I had to warm up a lot and my usual voice is a little more gravelly.
I'm not the type of guy to go so deep with the concept songs, but there's deep thought in everything. Maybe it's not just a repetitive hook telling you what the song is about - you have to use your brain a little bit.
Guy don't need no sense to be a nice fella. Seems to me sometimes it jus' works the other way around. Take a real smart guy and he ain't hardly ever a nice fella.
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
Humor is an attitude, a survivor’s way of looking at life. It’s not about telling jokes.
I heard my name." Ash's voice startles me. "You tow better not be making fun of me about this stupid bra Mama's making me wear. I've had it with the jokes. I'll break both your noses if it doesn't stop.
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