A Quote by Kathy Burke
When I first decided to take off the tap shoes and concentrate on theatre directing, Dominic Dromgoole got in touch to ask if I'd like to do something with Oxford Stage Company. My reaction was negative.
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I love directing. It's something I started doing in theatre when I was in university in Chicago and I started a theatre company right out of college and was directing for many years.
Directing is something I always wanted to do. I started when I was 13 directing scenes in high school and then plays in college with my theatre company.
My mom would take me to restaurants, and the first thing I'd ask for would be a pen and a napkin, and I'd sketch shoes and shoes and shoes.
I'd always try to get a C, maybe a B. Other girls would trot off a brilliant essay and go off to Oxford; I'd think: 'Where is the justice?' I took A-levels in English, history and theatre studies and got three Bs.
Ask a Soviet engineer to design a pair of shoes and he'll come up with something that looks like the boxes that the shoes came in; ask him to make something that will massacre Germans, and he turns into Thomas "Fscking" Edison.
Before a show, I usually give myself two-and-a-half hours to get ready. I prepare my shoes first. New ballet pumps can sound like tap shoes. You have to take the noise out of them by hitting them against stone. It takes half an hour to do each pair, and I can go through three pairs in one night.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
But then I got a job selling coffee at the York Theatre, and when I met theatre people, something clicked. I felt comfortable with them; I felt like myself. I decided to go to drama school based just on that feeling. I had never done any acting.
I had worked in this New York theatre company for my first eight or nine years out of college, acting and directing there, and I'd begun to write a little bit.
If you want to get into the shoes of someone, it's not just about seeing and hearing. It is also about what you touch and what you smell. Smell is so specific and so powerful. And this is the beauty of immersive theatre - it's something you cannot get in any other art form. I think this is the real future for theatre.
We like reactions - a reaction is walking out on us, a reaction is throwing tomatoes at the stage, that's a healthy psychological reaction.
A friend of mine had his own theatre company, and he jumped me in like I was in a gang. And once I came in, it was just that simple. For the first time in my life, I felt, 'This is a career, this is a life that I think I can grow old doing.' It was love at first sight. I loved being on stage and reading these plays. It was great.
Americans are crazy. They have this fascination with throwing their shoes on stage. I've been to a lot of shows in me life, some good and some bad. But I was never moved to take off me shoes and throw it at the lead singer.
When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
I took a job at the Walt Disney Company and after 18 months decided to go to business school at Harvard. I was awestruck by the campus. My first reaction was 'I don't belong here.' Then I said, 'I'm here; let's get on with it.'
I studied as an actor at the theatre conservatoire in Quebec, but by the time I got to my third year, I was more interested in directing. There's more to it than helping actors get round a stage: it's a wonderful way of telling stories.
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