A Quote by Kathy Burke

I wanted to write a semi-autobiographical piece that was uplifting and heart-warming. — © Kathy Burke
I wanted to write a semi-autobiographical piece that was uplifting and heart-warming.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
I've translated two of Bae's novels, A Greater Music and Recitation, which are coming from Open Letter and Deep Vellum in October and January respectively. A Greater Music is a semi-autobiographical book centred on a Korean writer moving to Berlin, learning to live and even write in a foreign language.
Many of the comedies I had made in Sweden were slightly based on semi-autobiographical experiences, so adapting novels was a very different experience.
When I was nine, the teacher asked us to write a piece about our village fete. He read mine in class. I was encouraged and continued. I even wanted to write my memoirs at the age of ten. At twelve I wrote poetry, mostly about friendship - 'Ode to Friendship.' Then my class wanted to make a film, and one little boy suggested that I write the script.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
De Palma is delicious! He respects music; he respects composers. For 'The Untouchables,' everything I proposed to him was fine, but then he wanted a piece that I didn't like at all, and of course we didn't have an agreement on that. It was something I didn't want to write - a triumphal piece for the police.
Anytime someone basically commissions a piece, I write a song based on something personal to them. I go online and I do research on that person - Wikipedia, YouTube interviews, anywhere I can find a piece of information that kind of tugs at your heart a little bit.
I worked at a jewelry store to pay the bills when I first moved to N.Y.C., and I always loved the phrase 'Semi Precious.' So I wanted to just call the band Semi Precious, but my dad told it was kinda sissy, so I added Weapons.
I can't deny 'Fleabag''s a very personal piece, but it's not autobiographical.
I tell you, gospel music is very uplifting. It's great. It's just a lot of fun to write, and it's wonderful for the heart, soul, mind, and spirit. It's just great.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.
I wanted to be free to write the way I wanted to write, and my impression of Christian publishing, at least in fiction, was that there wasn't room for what I wanted to write.
I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.
Friends and family do not believe you write fiction. They truly believe that every word you write is either autobiographical or based on them. I once had a character say that she never wanted to be invited to another children's birthday party, and I never received another children's birthday party invitation ever again.
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