A Quote by Kathy Burke

2021 is my 40th year working in the industry and I can't think of a better way to celebrate than directing 'Holding.' It's a beautiful piece of writing with a great story and fantastic, full-bodied characters.
In terms of 'Ray Donovan,' the story is so rich, the actors are so fantastic, the writing is impeccable. And it's such beautiful storytelling with complex characters.
If I write a fantastic story, I'm not writing something willful. On the contrary, I am writing something that stands for my feelings, or for my thoughts. So that, in a sense, a fantastic story is as real and perhaps more real than a mere circumstantial story. Because after all, circumstances come and go, and symbols remain.
When your show keeps coming back, year after year, you have a responsibility because your fans know your show sometimes better than you do. You can't play games with them. You have to be really focused and concentrated, and play at your best in every department. The writing staff has to be fantastic. Our director line-up has to be great. Everything has to be better and better. Your fans keep track of the details.
I like Twitter more than Facebook. Twitter is a great way to deliver and get news. In news writing less is more and 140 characters is great. If you can't grab that headline in 140 characters than it's not a story. Viewers tweet all the time and they tell what stories they like and don't like. It's great to interact with them and get that instant feedback. It's great for the viewer and the journalist.
I directed my first music video for Sara Bareilles. I like writing and directing. I co-wrote '21 Jump Street' and I'm in that. To me, they all inform the other one. I think writing makes you a better actor, acting makes you a better writer, directing makes you better at both. To me, I'm just trying to learn as much as possible.
I really have very little aspirations about acting because I think that probably the best things have come and gone. I would like to focus on writing and directing. I love writing and directing even though writing can be incredibly painful and lonely. I get great satisfaction from doing it.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
Remember, there are no cuts to Medicaid. Every year in Medicaid, you spend more money than you spent the year before under this plan, but the growth is not as great as it would be if you continued to pay, for instance, 100 percent for single able-bodied adults. Now, there is something wrong with the way that system is put together.
[Captain Fantastic] it's a great story. It's one of the better scripts I've read, ever, as far as being great from beginning to end. It handles a variety of characters. You have six children who all stand on their own, they're all individuals. And it touches on a very real issue, which is the lack of cohesion and communication in America right now.
And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters
And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters.
I think I would have a better time writing films rather than directing.
I've learned so much from just being in film industry. I definitely want to stay in front of the camera and learn more from as many people as I can. Somewhere down the line, writing, directing and producing would be fantastic.
I like working with great talent, in every capacity. I have a rule of thumb, in any creative endeavor - whether I'm doing music and playing in a band, or working with producers, or directing - where I generally like to work with people who are smarter than me or better than me.
Full House was a show that was done for ten-year-olds. The critics hated it. They said terrible, terrible things about it. But it should have been reviewed by ten-year-olds. That's who it was made for. They loved it. And if they loved it, great. Why the hell does a fifty-year-old guy working at a big newspaper have to tell me I'm a piece of crap?
You have to find a way of shutting the future out and focusing on the writing. One of the problems I'll have with writing my second book is getting back into a situation where I think about the words on the page rather than the publishing industry, or success, or any kind of readership I may now have. I'll have to do what writers do, which is focus on the story and nothing else.
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