A Quote by Kathy Griffin
I'm not somebody who no matter where I go there are paparazzi or any of that nonsense. But I have a little window into that world and I can enter it and dance around. I want to be the audience's ticket into the party.
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I am an outsider looking in, absolutely. You're not going to see me at the Academy Awards 'Vanity Fair' party any time soon. I'm not somebody who, no matter where I go, there are paparazzi or any of that nonsense. But I have a little window into that world, and I can enter it and dance around. I want to be the audience's ticket into the party.
I have no problem if you bought a Justin Timberlake ticket and you decide to go sell that ticket to somebody. We would first and foremost want to make sure that the first ticket sold, that the fan has a shot to buy that ticket.
The best is to go into a train station that I've built and buy a ticket. The guy in the ticket booth might recognize me, which is a marvelous feeling, but it might be that he doesn't and I go in like any other passenger, except that I enter with a critical eye, looking to see how it's held up.
Music is great; it all depends on what mood you're in, what you want to listen to. If it's party time, you listen to, you know, party music, if you want to dance with somebody. But then again, if it's a slow dance, you need something slow.
I want to see a more progressive Democratic ticket. I'm not happy with the Democratic Leadership Council's dominance of the party. And although I'm unlikely to be the person, I want Wisconsin's progressivism to influence the ticket. And we'll do better as a party if we do. We'll have more energy. We'll have a broader tent.
I look out the window and I see the lights and the skyline and the people on the street rushing around looking for action, love, and the world's greatest chocolate chip cookie, and my heart does a little dance.
'Dance Dance Revolution.' That's a lot of fun when you're having a dinner party and you just want to be a little silly.
If you have someone that you think is The One, don't just sort of think in your ordinary mind, 'Okay, let's pick a date. Let's plan this and make a party and get married.' Take that person and travel around the world. Buy a plane ticket for the two of you to travel all around the world, and go to places that are hard to go to and hard to get out of. And if when you come back to JFK, when you land in JFK, and you're still in love with that person, get married at the airport.
I remember driving around with my parents when I was little and looking out of the window and being very aware that it was the shape of a film screen when you went to the cinema. This was how I first saw the world, framed through a car window.
What is the disease which manifests itself in an inability to leave a party--any party at all--until it is all over and the lightsare being put out?... I suppose that part of this mania for staying is due to a fear that, if I go, something good will happen and I'll miss it. Somebody might do card tricks, or shoot somebody else.
I read some gossip thing saying, because I looked really uncomfortable in a paparazzi photo or something, they're like, 'He should get used to it. That's the price to pay if you're getting $12m a movie'. If I'm getting paid $12m a movie I'd walk around naked. That's all nonsense. I don't know who makes that stuff up. Even the price for the first one was nonsense.
I'll always have a totally open mind to endless possibilities. I want to do a dance album. Not Techno, but a record that's exclusively designed for people to dance to. That whole dance genre is kinda into its own world. I'd just like to get in there and mess around with that.
I don't even think of myself as a quote, unquote star - that's really douchey. I think of myself as just like . . . a dance commander. You have to have dance parties all day and night, and you always have to be excited about having a dance party. You have to have a dance party in Milan one day, and then wake up and have a dance party at, like, four in the morning on national television in L.A. the next day. The hours are insane.
The truth of the matter is - when we look at things - every movie we do - no matter what the subject matter is - we go to the universal theme of family. We always go to that because if the movie is about family, then any audience can relate to it.
I look at an audience kind of like meeting my in-laws for the first time. You want to be yourself, but you still want to be somebody that they like. When I go on the stage each night, I try my best to outguess my audience.
I want the audience to be transported to a different world once they enter the auditorium.
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