A Quote by Kathy Griffin

I hate it, it is tedious... when I write for my act, it is very improvisational, I write bullet points, I cannot sit in front of a computer; that is not my style. — © Kathy Griffin
I hate it, it is tedious... when I write for my act, it is very improvisational, I write bullet points, I cannot sit in front of a computer; that is not my style.
I do not go down and sit in front of the computer and make myself write; that's not my style.
I only can write a book every two years, you know. And I write very fast, but I'm not always writing every day. I needed a contact with different things, like nature, for example. I cannot be in front of a computer trying to tell a story.
I started writing when I had three kids under the age of 4. I used to write every ten minutes I got to sit in front of a computer. Now, when I have more time, I function the same way: if it's writing time, I write.
When I sit down in front of a Windows machine, I can't write; when I sit down in front of my Mac, I can write. So I only use Macs.
I can write anywhere. But I don't use a computer, and I could never write on a laptop. I hate the sound of computers; it's too dull, like it's not doing anything for you.
I used to love to write. As a child I used to write all the time. I loved to write up until the second I got my first professional writing job. It turns out it's not that I hate to write. I hate, simply, to work.
When you sit down to write, write. Don't do anything else except go to the bathroom, and only do that if it absolutely cannot be put off.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
Some writers say they cannot write in front of a window; many say they cannot function without almost perfect quiet. A writer with only two hours a day can write in the back of an open truck on the Interstate.
When you sit and write a song, sit and write the best song you can write, just try and write it and be connected.
I write two pages - that's all I write. It takes me about an hour. I've learned that's all I'm capable of and to push myself beyond that is foolhardy. It's a very delicate thing, and I will not abuse it. So I write two pages, then I get up from the computer.
Take out another notebook, pick up another pen, and just write, just write, just write. In the middle of the world, make one positive step. In the center of chaos, make one definitive act. Just write. Say yes, stay alive, be awake. Just write. Just write. Just write.
It was interesting to write ad films and scripts for TV shows before I moved on to writing a feature film. That helped me grow as a writer, and I also found out how long I could sit in front of a computer and see something through.
Advertising is a business of words, but advertising agencies are infested with men and women who cannot write. They cannot write advertisements, and they cannot write plans. They are helpless as deaf mutes on the stage of the Metropolitan Opera.
But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
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