A Quote by Katie Dippold
I like that free spirit where you can laugh together and argue. I love a writer's room.
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Once I was a prisoner lost inside myself with the world surrounding me, wandering through the misery, but now I am free. Free to love, free to laugh, free to soar, free to shine, free to give.
People love to laugh together. Like when I'm at home and I'm watching shows, I don't laugh out loud, but if I'm in a crowd and everyone is into it...
Comedy can be, especially in a writer's room, really aggressive, kind of a very male-dominated room, and it would be hard for women. It's not a nurturing place. It's not like a lot of women are going to say, I can't wait to live that lifestyle and be in a writer's room until 2 or 3 a.m.
If I think the universe is triangular, and you think it is square, there cannot be room for two universes. We may argue politely, we may argue humanely, we may argue with great mutual benefit: but, obviously, we must argue.
If people believe that they are marrying out of love and free choice rather than out of duty, they are more likely to decide, if love should die, that the free choice to join together is no more significant than the free choice to part, and to look for love elsewhere; those married out of duty expect less love to begin with, and what duty has brought together, duty may keep together.
Everyone asks for freedom for himself,
The man free love, the businessman free trade,
The writer and talker free speech and free press.
Love really is the answer to human problems: love of oneself, love of others, love of where one is, love of what one is doing, love of nature, love of life, love of the world, love of spirit in all its wonder and splendor. Love sets our energy free. It opens us and puts us in a flow with spirit and life on many levels. Love is the true secret behind manifestation.
To choose a writer for a friend is like palling around with your cardiologist, who might be musing as you talk to him that you are a sinking man. A writer's love for another writer is never quite free of malice. He may enjoy discussing your failures even more than you do. He probably sees you as tragic, like his characters - or unworthy of tragedy, which is worse.
That's what Brazilians are like - we're always having a laugh, we're always smiling, and my aim is to bring this spirit into the dressing room and onto the pitch, to play with a smile on my face.
It's this simple law, which every writer knows, of taking two opposites and putting them in a room together. I love anything with Cartman and Butters at the same time, it's great.
If you do not assume the law of non-contradiction, you have nothing to argue about. If you do not assume the principles of sound reason, you have nothing to argue with. If you do not assume libertarian free will, you have no one to argue against. If you do not assume morality to be an objective commodity, you have no reason to argue in the first place.
The single aim of my life is that every child is:
free to be a child,
free to grow and develop,
free to eat, sleep, see daylight,
free to laugh and cry,
free to play,
free to learn, free to go to school, and above all, free to dream.
We can love religion as we need rituals, but The Holy Spirit is a bird, free to fly and land where it likes. We don't actually need 'religion' in order to have a relationship with The Holy Spirit. Too many wars an violence over religion.We need to see it's all the same spirit and we are part of that spirit so we shouldn't be fighting over what name we call it. It's a free bird.
Ultimately, jokes are this really special thing that we can all share. It's exciting to have basically a thousand people in a room together that can laugh at the same time, but I think of it almost as, like, a religious experience.
The poet must be free to love or hate as the spirit moves him, free to change, free to be a chameleon, free to be an enfant terrible. He must above all never worry about this effect on other people.
But the writer who endures and keeps working will finally know that writing the book was something hard and glorious, for at the desk a writer must try to be free of prejudice, meanness of spirit, pettiness, and hatred; strive to be a better human being than the writer normally is, and to do this through concentration on a single word, and then another, and another. This is splendid work, as worthy and demanding as any, and the will and resilience to do it are good for the writer's soul.
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